Secret Series covers through the years


I recently looked at the different covers used for the Famous Five books and The Adventure Series.


One series. Five books. Four cover artists.

The Secret Series is perhaps unusual due to how many different cover artists the series had. While the Famous Five’s first editions all had Soper covers, and The Adventure Series had ones by Stuart Tresilian, the Secret Series had four different cover artists – for just five books!

It’s not unheard of for a series to have different artists doing the covers, for example the Find-Outer books had three artists across fifteen books, but for only one artist to return must surely be an anomaly?

The artists in question were: EH Davie (Island external and internal and Spiggy Holes internal), Harry Rountree (Spiggy Holes external and Mountain internal and external) Eileen Soper (Killimooin internal and external) and Dorothy Hall (Moon Castle internal and external). This variety perhaps makes it harder for us to get a good mental image of the characters as they change from cover to cover cover, cover to insides, and insides to insides.

Anyway, let’s see how they all look.

Basil Blackwell 1938 / Basil Blackwell 1940 / Basil Blackwell 1941 / Basil Blackwell 1943 / Basil Blackwell 1953

I think the first and last are reasonably similar in style and colour palette, and the remaining three are somewhat alike too. Spiggy Holes probably stands out a bit with it’s very bold colours and I’ve seen several people mention the incongruity of the moonlit background and the sunny foreground!


Armada strikes again

As I said in a previous post (link) Armada published a lot of the first paperback editions of Enid Blyton books. In The Secret Series case, Armada did four runs of paperbacks, all in very different styles.

The first ones had covers by Mary Gernat and are what I think of as typical Armada covers. They tend to have the title in the top right or left corner, with one or two words per line so rather than all in a row. They also generally have a fairly solid background colour. Even though there are several different artists on these covers they still feel like they all belong together.

Armada 1965  / Armada 1965 / Armada 1965 / Armada 1965 / Armada 1966

Peter Archer then did two different runs of paperback covers.

The first ones are of a style also used for the Adventurous Four, Six Cousins, The Naughtiest Girl and probably many more besides. They have the book’s title in the middle, taking up two lines, Enid Blyton’s signature below and the Armada logo above.

All Armada 1971

I have no idea where the fancy ship comes from on Killimooin!

The second set remind me of the 1993 Award Famous Fives, though each one has a different colour border and only one is yellow.

All Armada 1978

The last Armada set is by an uncredited artist. These make me think of jigsaw puzzles or board game boxes, perhaps due to all the Secrets, or rather S ⋅ E ⋅ C ⋅ R ⋅ E ⋅ Ts that runs around the edge of the cover. These have a mode modern and cartoony look with the scenes being viewed from some unusual angles.

All Armada 1986

Award covers

Not covers that have won awards (that I know of) but rather covers on books by Award Publications.

After four lots of Armada paperbacks, there are four lots of Award ones. A nice neat split!

The first Award set have covers by Dudley Wynne (and internal illustrations too). These have a boxed illustration, and a coloured border which extends up behind the title.

All Award 1992

Spiggy Holes is red and Mountain yellow, so it strikes me as odd to have the three others so similar in colour. They also suffer from a lack of continuity with the titles. Secret should be small on them all (in my opinion!) as of is such a small word it doesn’t have a huge impact on the layout of the titles.

The next two have uncredited covers by the same artist. These are interesting as it is clearly the same illustrations used for both sets, but most have one or two small differences as well as being a close up. The book titles obviously change too, the first set being inconsistent with colour and layout, the second having added purple banners and a logo.


Top row all Award 2002
Bottom row all Award 2007

Take a look at the girl in pink on the cover of The Secret Island. The first time she has bare arms and the later cover her top has long sleeves. On the Spiggy Holes cover both the boys’ backpacks change colour. Mountain has Ranni’s (or is it Pilescu’s?) gun change into a walking stick. I can’t see any changes to Killimooin, but the moon has been moved on Moon Castle.

And the last Armada lot have covers by Val Biro, the author and illustrator of the Gumdrop the Vintage Car series. I used a copy of The Secret Island from this set to do the comparison against the original.

All Award 2009

These are quite nice covers, I think. They are not too modern or cartoony. The only flaw is this is when they renamed The Secret of Killimooin to The Secret Forest!


When five become four

The latest versions for the series are from 2016. They are by Hodder and have covers by Sarah Warburton. The obvious thing about this set is that there is one book missing! The Secret Mountain has not been republished, and probably won’t be again until Blyton’s work enters the public domain in 2038.

All Hodder 2016

While these are quite striking with their greyscale textured backgrounds I’m not sure they’re a great fit for the series. They make the books seem quite dark and depressing, which they are not. In addition, The Secret Island looks like an epic about children lost at sea, while Spiggy Holes could be mistaken for a sci-fi adventure about a wormhole.


Choice of scene

What I think is always interesting is looking to see if the covers feature the same scenes. On the whole, these do.

The Secret Series has 8/9 books with children in a boat, Spiggy Holes sees 6/9 covers of children shining torches up cave-stairs (and two of boys climbing ropes), and 8/9 Moon Castle books have the children outside with torches.

Mountain has a bit more variety, but 5/8 covers still have the children walking/climbing towards/up the mountain. Killimooin/Forest has 5/8 covers of the children on horses though on different parts of their journey so they look more unique.


So, what covers do you like? My favourites are, of course, the originals, (though it’s a pity there is such a variety of looks in just five books), yet I have a certain fondness for the first Armada set too.

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2 Responses to Secret Series covers through the years

  1. I have a strong preference for the 1965 Armada covers. Not only are they the most visually distinctive and appealing – in part because of the layout, but also the strong colours – but they all give a reasonable impression of what each book is about. The 21st Century covers are often unrelated to the content of the book: this was especially noticeable with the Adventure series, but even the Secret series fares badly compared to the 1950s and 60s covers. The further the publication date gets from the 1st Editions, the less relevent the cover illustrations become. I’m just glad there were no silly 1990s ‘puffer’ jackets this time, but on the whole the modern illustrations strike a jarring note, because they conflict so strongly with the 1950s period style of the stories inside, which are from a very different age. The 1965 illustrations match the descriptions in the text (which, obviously, doesn’t talk about the children wearing ‘puffer’ jackets). The cover illustration should not be an anachronism – if we get to a stage of the jacket design featuring kids with jeans, puffy jackets, mobile phones and tablets, the entire point of the story is lost. How can a kid get into a fix with a mobile phone in every pocket? But that is the logic of the very short sighted policy behind the modernisation of the covers.

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    • fiona says:

      I generally like the Armada covers too, though for me they can’t live up to the originals.
      Totally agree with you on the anachronistic covers. I wouldn’t be surprised if children were confused upon reading and discovering the story is not much like the cover suggests.

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