Malory Towers on TV series three – Episodes eleven and twelve


After another longer than intended gap, we are nearly at the end of the series.


The Ride

The episode description is Bill’s desire to see Thunder intensifies after he becomes unwell. When Matron suspects it may be something more serious, Darrell and Bill race to get help! 

That sounds as if it is at least based on the books, but I doubt that we will get as close to the book as we wish!

What works well

Bill ricochets around this episode desperate to get help for Thunder as she is convinced that he’s not well. It does feel a little repetitive as she has been defying orders over Thunder all term, but there is a real sense of urgency here and it does echo the book more closely. I enjoyed Bill’s Just because you don’t have any friends! It was a great comeback against Miss Johnson, though admittedly not very clever given Miss Johnson’s penchant for hefty punishments.

She manages to get herself banned from going to the stables at all and Gwen is put firmly in the middle as she is to ensure that Bill obeys. In a move that’s too little too late Gwen does try to cover for Bill but fails.

All this is a set up to get Matron to the stable where she speaks kindly to Thunder and shows concern for his well being. Obviously she is taking on the Miss Johnson role from the book in this episode. TV Miss Johnson is clearly too evil to be the one who helps save Thunder but it does work using Matron, who has played a similar role as book Miss Johnson did in keeping Bill from Thunder.

There are some great scenes in the second half of the episode and some really good dialogue.

For example from Gwen as Bill tries to appeal to her better nature regarding animals:

I’m allergic to cats, I’m afraid of dogs and I just don’t see the point in hamsters.

Gwen, being flippant asks why they don’t just take Thunder to the vet if the vet can’t come to him. Bill thinks this is genius (I think it’s stupid). But we get this great scene from it:

Bill: You might have just saved Thunder’s life.

Gwen: Well, we all make mistakes.

Bill: Aren’t you going to try and stop me?

Gwen: Would you listen to me?

Bill: No.

Thankfully Darrell shows sense and tells Bill that riding a sick horse is a really bad idea and they go to Matron.

Matron: I don’t think he’ll fit in one of the beds.

Matron continues to become a more sympathetic character again – after having been particularly awful to the girls. Even in the face of some major emotional blackmail she doesn’t back down but she does seem torn, and says that it’s more than her job’s worth, suggesting she does fear for her job if she doesn’t obey Miss Johnson. This doesn’t let her off the hook, though. She has seemed to take pleasure in enforcing all the draconian rules.

She does at least go to Thunder and it is she and Ron who begin walking him up and down to prevent him from lying down.

It’s therefore Bill who goes riding off dramatically (though in the middle of the day) to fetch the vet.

We also get the absolute delight of Gwen standing up to Miss Johnson, pointing out that no, she doesn’t know where Bill is, as she was considering her position as head of form, as ordered by Miss Johnson. That doesn’t sound like much but her tone of voice says more than her words. (As a bonus she covers for Bill and Darrell here as she does know what they’re up to).

And then the absolute best part.

Miss Johnson at her odious best (worst?). It’s unbelievable how smug and controlling she can be. The vet declares that Thunder has gone downhill, despite Miss Johnson repeatedly telling him that he has had a wasted journey. She is so determined that he not come back until his appointed visiting time of 5pm she then has the cheek to accuse him of trying to exaggerate the situation in order to charge her an extortionate call out fee.

You can see that Bill, Ron and the vet are all thinking how vile she is but it’s Thunder that answers back. I mean… who would be stupid enough to stand behind a horse with colic? I shrieked with laughter so much so that Brodie came running to see if I was all right. I’m not normally one for gross-out or bodily function humour but this was divine.

Not so smug now, are you!

Honestly, that and the earlier dialogue pretty much redeems the whole third series.

What didn’t make sense

Honestly, for once, not a lot in this episode!

Gwen sabotaging the girls’ plans in order to please Miss Johnson gets a bit tiring after so many episodes of it, but Danya Griver’s acting is so good I can’t bring myself to mind too much.

The girls continue to be wildly and annoying impetuous at times, but generally for the good. For example Bill showing she’s a much better friend to Gwen than Gwen is to her, as she practically shouts at Miss Johnson that Gwen is not to blame for her sneaking out. Not so clever for someone who is trying to persuade Miss Johnson to see things her way.

Darrell asking Mary-Lou of all people to distract Matron while she runs off to the stables to warn Bill seemed silly when there were better options available. Likewise, why Matron was hanging around long enough to be distracted instead of heading straight for the stables herself.

Bill having a slight fever (from riding for the vet?) came out of nowhere at the end of the episode but I assume this is going to become relevant in the next.


Other thoughts

The final minute of the episode gives away some of what has been going on as it shows a mysterious figure sneaking around the stables and looking in a chest of silver. They then (somewhat foolishly) hide a key on top of a door frame, only for it to fall down as they leave…

It’s been fairly obvious that something has been going on at the stables what with Miss Johnson’s determination to keep the girls away from it, and that she’s knee-deep in it all. It looks like she’s keeping stolen goods (or perhaps forgeries) in there which would tie in with the bust they found in the woods. I had thought she was hiding a person in there, but perhaps not.


The Arrest

Ron shows Darrell and Sally a stash of art found in the stables – but where did it come from? Miss Johnson is caught off-guard when Miss Grayling arrives back at Malory Towers.

I’m starting to wonder why I haven’t included the episodes’ synopses before!

This is a dramatic title if ever there was one, but as there is one more episode to go, I can’t see them arresting Miss Johnson just yet. Someone else will cop the blame – probably poor old Ron. But Miss Johnson’s time is running out, surely, with Miss Grayling back she will be demoted and lose her seat of power.


What worked well

It was so good to see Miss Grayling return. Although I initially preferred Jennifer Wigman’s Miss Grayling to Birgitte Solem’s, I have got used to the new actress and was thrilled to see her back. To be fair, anyone has to be better than Miss Johnson and I can’t wait for her to be put in her place.

 

The frustration continues, however, well drawn-out by Miss Johnson insisting that Miss Grayling rest, and interrupting her just as the topic of the art thief comes up.

You can absolutely tell that Miss Grayling is not impressed with Miss Johnson, including the way she has taken over her study. She is ready to listen to the girls though we don’t get a resolution by the end of this episode, I know Miss Grayling will put things right in the final one.

 

I had to laugh at Matron checking that the girls’ sweets were really sweets, by eating one of course, and I enjoyed the return of Know Your Onions in Bill’s get well soon card. Even better was the girls’ “murder board” on the inside of a wardrobe door as they try to solve the mystery.


What didn’t work so well

I know they wanted to drag things out for one more episode but this ended up being so frustrating.

Miss Johnson blaming Ron would be expected, but not the girls, and certainly not so many of them.

I feel like we returned to series one episode thirteen where the girls vote against Darrell and blame her for Gwen’s tricks. Have they learned nothing about siding with Gwen against Darrell?

What clinches it really is Ron’s insistence that he saw Miss Johnson loading the goods into the van, yet Miss Johnson was hanging around outside Miss Grayling’s study at the same time.

It’s so patently obvious that it’s the lazy plot twist of identical twins! (And it looks like I was right about there being someone else hiding around the stables.)


Other thoughts

Darrell goes into the stables and does indeed see double – so much so that everything seems to spin and go hazy for her rather than triggering an aha! moment – but it’s too late anyway as Ron has already been arrested, setting us up for the series finale.

Bill having a fever kept her in the san, and it seems that it was so she could use the phone in there to call Miss Grayling. As that involved getting Matron out of there anyway, it seems like it could have been done without Bill being ill.

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3 Responses to Malory Towers on TV series three – Episodes eleven and twelve

  1. Lapsed Blyton Fan's avatar Lapsed Blyton Fan says:

    Thanks – I hadn’t seen these episodes for so long that I had to flick back and remind myself of some of the lines. I agree Gwen’s cat/dog/hamster one is particularly good! The highlight of Episode 11 is also that drone shot that pulls back from the cliffs and through a (CGI?) arch as Bill rides past – I think they particularly went in for shots from above that series. (NB Jennifer Wigmore is the other Miss Grayling actor’s name)

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