My five favourite Blyton animals

I thought I would break up the TV series reviews a bit and bring you something different this week. I decided to go through some of Blyton’s well loved animal characters and look at my top five. I’m going to do a count down of them now, and I hope you’ll tell me in the comments who your top five animal characters are!

5. Button the fox from The Castle of Adventure

Buttons is one of the animals that appear ever so briefly in the Adventure books but I think the biggest reason he comes up as a favourite is because he is a little different and he is the first animal who really plays a part in the adventure the children find themselves in (apart from Kiki). He finds the second way into the castle they explore and tends to be quite helpful, even if Kiki doesn’t like him. I have always had a soft spot for foxes and a baby fox like Buttons would do me very nicely please!

tassie and button the castle of adventure

4. Buster from the Five Find-Outers

I am a late comer to the Five Find-Outers books as all of you know but Buster is fast becoming my favourite Find-Outer. It helps that he is a Scottish terrier and I have a soft spot for them, ever since being introduced to Malcolm Saville’s Lone Pine Adventures and Macbeth the Scottie. Buster is basically every trait of a Scottie dog personified as well as Blyton’s own doggie traits she injects into every canine character; loyal, devoted, brave, and a defender. Such a funny little dog as well when he goes for the cats and Goon. I haven’t read all his exploits yet, but I look forward to getting to know Buster better.

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3. Pongo from Five Go Off in a Caravan

Now there are quite a few ape characters I could have picked as a favourite, but Pongo was one of the first Blyton animals I came across. When I was younger I got given a set of four Famous Five stories on cassette tapes and the mischievous and loyal chimp always appealed to me. He loved Nobby from the bottom of his heart and went through so much to try and save him, when he got stuck under the caravans in the caves with the children, Pongo (with his bleeding head) made his way upstream through the river to find Nobby because he knew the boy would look after him. Pongo also saved Nobby from a horrible beating from Lou and Tiger Dan. Pongo made me want a friend like him, and showed me for the first time what love and complete and utter devotion is. I dare you not to like him!

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2. Kiki from the Adventure series

Who could not like this cheeky, brave, talking parrot? She is the light relief in the darkest and hardest situations, some of the best dark situations that Blyton ever wrote. She is the saving grace for the books and one of the cleverest animals in the entire of Blyton’s repertoire. She can mimic sounds and phrases that she’s heard only once or twice, as well as making connections between words that sound the same such as “Fussy Gussy” and “Fusty, musty, dusty.” The endless amusement she brings and even allows Jack to get close to some rare eagles in The Castle of Adventure because the bigger birds regard Kiki as one of their own species but who just looks different. Her jealousy of Philip’s endless pets is quite something as she is always telling them off or trying to attack them or something, she is very disdainful of most of them. So long live Kiki, the parrot everyone wants and loves. You can sing “God Save the Queen” for me anytime!

kiki

1. Timmy from the Famous Five

Ah Timmy, who else for this Famous Five fan could have made it to the top of the list? Timmy, the perfect dog, not just for George and the Five, but for every child who has ever read a Famous Five. The dog who knows when his mistress is upset, who knows his commands ever so perfectly, even if he does chase rabbits on George’s island, despite being repeatedly told that he is not to do that. Timmy is the perfect guard dog for the adventures even though on a couple of occasions he gets himself bashed on the head, drugged or restrained, but he is always there when needed. For example the time he leapt up at Rookie when he was threatening the children in Five Get into Trouble, and bit his hand. Not even needing to mention the time in Five Go to Mystery Moor  where he navigated the catacombs in the hill with a hurt head to find his beloved George and bring her help in the form of William and Henry.

Timmy, in my humble opinion, is the greatest, most loyal animal character Blyton ever wrote. The others are good, but none will ever be as great as Timmy. Have a bone on me, old chap.

timmy five on a treasure island

So there we are, my five favourite Blyton animals. Please do tell me about your favourite animals and why! I would love to know!

Looking for more posts about Blyton’s animal characters? Then try these.

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The Mystery of the Burnt Cottage: How has Blyton’s original text fared in a modern edition? part 6

Another month, another instalment! Hopefully I will get this finished within the next three months then. Previous parts can be seen  herehereherehere and here.

As always my own copy is a Methuen from 1957 – a 12th reprint/impression of the original. The new version is the most modern of any paperbacks I have looked at so far,  which is an Egmont copy from 2014.


CHAPTER TWELVE: MR SMELLIE – AND A RUBBER-SOLED SHOE (!)

First up, the chapter title loses its exclamation mark. That rather sets the tone for the rest of the chapter, which suffers from a further dozen pedantic and pointless little changes.

First up, queer was used three times, and has now become peculiar once and odd twice.

The all the italics were removed as usual:

  • Now this document…
  • a pair that had rubber soles
  • well, not exactly
  • what have you got

At a recent training day (World Host customer service – the same as all the Olympic staff went through) we had a short exercise to do. Six of us were given the same sentence written on a small piece of paper and we had to read it aloud. Each sentence had a different word highlighted, and so each was read out slightly differently. Then we all discussed how each sentence then had a different meaning.

What have you got? What have you got? What have you got? What have you got?

Those are all different, and I cannot understand why you would choose to remove those meanings when republishing a book. Does it cost more to use an italics font in places?

They’ve also changed any one to any one twice (and removed the italics from any in one of them).

Daisy is no longer the little girl, she is just the girl.

Mr Smellie (perhaps more politely!) now calls his housekeeper Miss Miggle rather than just Miggle.

And lastly when Daisy is searching the boot cupboard there are no longer goloshes in there. I would have expected it to be spelled galoshes, though. I thought that was how it was spelled in the Famous Five but I could be wrong.


CHAPTER THIRTEEN: A SURPRISING TALK WITH LILY

This chapter seems to have half the world’s italics in it (though I still firmly believe each and every lot should be left alone!).

  • It is
  • Well I don’t think it is
  • As if you could tell
  • She really had learnt
  • I don’t suspect her of anything
  • Well, I do know
  • It might have been Horace
  • somebody saw Horace
  • I was here
  • What do you know about it?
  • But Horace saw someone
  • So Mr Smellie did go down here
  • He did it! (twice)
  • I don’t know… I think
  • What I do know is

Some other smallish changes:

Dinner bells are also still out – Blow – there’s your dinner bell, Pip is now Blow, it’s lunch time, Pip.

Peeks and Smellie are referred to as Mr Peeks and Mr Smellie by the children.

Lily’s father said he’d thrash me is now said he’d punish me.

And then we have an enormous amount of text cut regarding Fatty’s bruises.

By the way – how are your bruises, Fatty?
“Fine,” say Fatty proudly. “I’ll show you them.”
“Can’t stop now,” Said Larry. “I’ll see them this afternoon. So long!”

“Ones going yellow already,” said Fatty. But Larry and Daisy were gone.

Followed by:

[Fatty] Hoping that the others wouldn’t forget about his bruises in the afternoon.

Then:

Nobody asked Fatty about his bruises.
He was offended, and sat gloomily whilst the others discussed what to say to Lily. Bets noticed his face and was surprised.
“What’s the matter, Fatty?” she asked. “Are you ill?”
“No,” said Fatty. “Just a bit stiff, that’s all.”
Daisy took a look at him and gave a little squeal of laughter. “Oh, poor Fatty! We said we’d look at his bruises and we haven’t!”
Every one laughed. “Fatty’s an awful baby,” said Larry. “Cheer up, Fat-One. Show us your bruises and let us admire every one of them, big, medium and small.”
“They’re not worth mentioning,” said Fatty stiffly.

With all that cut it seems like they simply arrive at the summerhouse and then get up and leave again.

And another bit of cut text from after they get up:

“We’ll see his bruises at tea-time,” whispered Daisy to Larry. “He’s gone all sulky now.”

 


 

I make that thirty-two changes this time. That doesn’t include the italics but I have counted each sentence that has been cut.

That brings us to 141 in total.


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Monday #190

Once more a Monday upon us! Hope you’re excited for this week’s blogs!

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October 2016 round up

It’s November already! It’s getting colder and darker – but enough of that, let’s look at what we did last month!


WHAT I READ IN OCTOBER

  • April Fools – Ritchie Tankersley Cusick
  • Fetch Nurse Connie – Jean Fullerton
  • Dying in the Wool (Kate Shackleton #1) – Frances Brody (audiobook)
  • Midnight Alley (Morganville Vampires #3) Rachel Caine
  • Dead Man’s Cove (Laura Marlin #1) – Lauren St John (Review here)
  • Under a Vampire Moon (Argeneau Vampires #16) – Lynsay Sands
  • Shakespeare’s Counselor (Lily Bard#5) – Charlaine Harris
  • Red Dwarf: Infinity Welcomes Careful Drivers -Rob Grant (audiobook narrated by Chris Barrie)
  • Feast of Fools (Morganville Vampires #4) – Rachel Caine
  • Deep Water – Buffy TV tie-in
  • The Bookshop Book – Jen Campbell
  • The Cordelia Collection – Buffy TV tie-in
  • Here Be Monsters – Buffy TV tie-in
  • Gangsta Granny – David Walliams (audiobook also narrated by David Walliams)
  • The Lady is a Vamp (Argeneau Vampires #17) – Lynsay Sands
  • Harry Potter and the Half-Blood Prince – audiobook narrated by Stephen Fry

octoberroundup

I seem to have inadvertently had a bit of a Halloween theme going on with my reading list this month!

There are also a couple of things I haven’t finished yet:

  • A Woman Unknown (Kate Shackleton #4) – Frances Brody (audiobook)
  • The Mystery of the Burnt Cottage – Enid Blyton (Latest post here)

You can check out my past, present and future reads at Goodreads too.


WHAT I’VE WATCHED

  • Hollyoaks (I still watch this religiously)
  • The Originals (spin off from the Vampire Diaries) also on Netflix
  • Only Connect – the quiz show on BBC2
  • The Adventure Series – I reviewed Valley of Adventure here
  • Hocus Pocus and The Thing (about as scary as I can handle for Halloween!)
  • Red Dwarf (both the latest series and the reruns shown after it)
  • A lot of Friends now that we get Comedy Central

WHAT I’VE DONE

  • Well, first and foremost, I got engaged!
  • Dressed up as a goth for work during the Halloween weekend.
  • Visited the aquarium in St Andrews (which definitely wasn’t there in Julian and co’s time.)
  • Went for exactly one run and then managed to be ‘too busy’ to go for another one the rest of the month
  • Continued to work hard behind the scenes on the blog
  • Spent hours writing our Halloween fic

WHAT STEF HAS READ

  • Imaginary Fred – Eoin Colfer
  • The Mystery of the Secret Room – Enid Blyton (reviewed here)

And her current read:

  • A French Affair – Katie Fford

katie


WHAT STEF HAS WATCHED

  • I have also watched Red Dwarf, and the re-runs.
  • The new series of QI on iPlayer, with the new host Sandi Toksvig which has been brilliant.
  • Along side that I’ve been watching the episodes of the 70s Famous Five, for which you can find the reviews here.
  • Plus various episodes of the Night Cops and Police Dogs, just to pass the time!

WHAT STEF HAS DONE

Although my news isn’t as fantastic as Fiona’s engagement, I do have myself a new relationship which is wonderful and going along nicely. It’s nice to have someone to cuddle up to on the cold winter nights and someone to share things with.

I have been running around organising my library for Halloween and now I’m beginning to organise it for Christmas. I am also proud to say that I’ve started my Christmas shopping, which is no mean feat when you’re lazy like me.

I also spent my first Halloween out in a long time, with my new beau, dressed as a cat. It seemed to go down quite well and was an easy costume to put together.

Last but not least, I attended my first ever Thai Boxing event to watch some close friends from my boxing club win some fantastic matches. I’m so proud of my Peun Taan family and love that I am now friends with a European champion.

That’s all from me, lets hope I have more to tell you in November!


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Blyton’s Bonfires, Guys and Fireworks

It’s bonfire night, or Guy Fawkes’ night this week, so I thought I would put something together covering what Blyton wrote about the subject.

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SECRET SEVEN FIREWORKS

This seems like an obvious first choice, given the title! While the main mystery is about a burglary and catching the thief, the backdrop is of preparing for bonfire night. The Seven gather wood for a bonfire and build a guy to burn.

Come out to the field and listen.ssfireworks

BANG! CRASH! WHIZZZZZZZZZ!

Whooooosh-ee-whoo-oosh-eewhooosh! That was the first Moon Rocket!

Sizzle-sizzle-sizzle – the bonfire is burning high – what a sight the flames are! And there’s the old guy, plump and wobbly, dressed in coat, trousers, boots and cap, sitting high on top. Bang! A rocket flew by his ear, and made him jerk his head.

“He’s laughing The old guy’s laughing!” shouted Janet, dancing around the bonfire. “He says he’s as warm as toast at last!”

BANG! Good-bye, Secret Seven, see you again soon! WHOOOOOOSH! Look out, Peter, that rocket went very near your nose! CRASH! What in the wide world was that?

Only one figure is missing from the Grand Firework Party. Guess who it is? Yes, it’s dear old Scamper. He’s terrified of bangs and crashes, so he is lying comfortable in his basket by the fire, pretending he can’t go because his leg is bandaged!


FIREWORK NIGHT – A POEM BY ENID BLYTON

Exactly what it says on the tin. A poem about firework night, and the poor pets like Scamper who don’t like all the noise. You can read it here.


MR TWIDDLE’S BONFIRES (FROM HELLO, MR TWIDDLE!)

With Guy Fawkes day coming up Mr Twiddle is getting quite excited. Mrs Twiddle hates fireworks, though, so he’s not allowed to buy any himself (that and his accident-prone nature means it would be a disaster!) His genius idea this year is to gift the next-door children with a box of fireworks so he can watch them. Only, when he gets home with them Mrs Twiddle wants his help to clear up the garden. They light a lovely bonfire to burn the rubbish… and guess what ends up accidentally in the fire? Yes, the fireworks! (and it was Mrs Twiddle who put them there!)

dscn6577The flames caught hold of them.

They burnt a rocket. BANG! Whoooooosh! The rocket flew out of the bonfire like an aeroplane and took Mrs. Twiddle’s hat off. She gasped and screamed.

“Twiddle!” What was that? Oh, what was that?”

A shower of stars showed up at the end of the garden. It was the end of the rocket. Then BANG! Another one went off and shot out of the fire between Twiddle’s legs, knocking away his fork as it went.

“Oooooh!” said Twiddle in the greatest surprise. He bent to pick up his fork – and another rocket soared over his back, showering him with coloured stars!

The Catherine-wheels spluttered and fizzed. The Roman Candles exploded with a roar. The squibs and other little fireworks went off bang and jumped out of the flames as if they were alive!


THE BONFIRE AT NIGHT – A POEM BY ENID BLYTON

Another bonfire-themed poem which you can read here.


THE BONFIRE FOLK (FROM THE LUCKY STORY BOOK)

This one’s a bit different as it’s not about bonfire night itself. Rather, Peter and Jean do the cobbler a favour by delivering some shoes and get told a wonderful story of bonfire folk as a reward. Their father has a bonfire going, but it will die out before dark. So Peter and Jean collect fir-cones to add to the blaze. That night they sneak down and see some cats, a brownie, a hedgehog and a rabbit who come to warm their toes by the fire.

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GUY! GUY! A PENNY FOR THE GUY! – A COMICAL PLAY

This can be found in Enid Blyton’s Book of the Year – a huge volume containing stories, songs, plays and puzzles for every month.

Four children have made a guy and set themselves up on a busy street to earn money for fireworks.

Alan. Look – here’s somebody coming!

(Enter a PASSER-BY.)

CHILDREN (chanting).
Please to remember
The Fifth of November.
Gunpowder, treason and plot!

PASSER-BY. Here you are – here’s a ha’penny for you,” (Tosses coin into hat. Walks off.)

PETER (in disgust). Only a ha’penny! Mean old thing! How many fireworks does he think a ha’penny will buy?

BETTY. Look out! Here’s somebody else!

(Enter another PASSER-BY, carrying a basket and hurrying.)

JOHN. Please spare a penny for the guy!

PASSER-BY. No, I’m in a hurry! (Goes off.)

ALAN. Well, of all the stingy creatures! She’s been spending heaps of money at the shops – her shopping-bag was full – ans she can’t give us a penny for the guy!  Yah!

And so the children carry on, being rude and ungrateful. Of course they get their comeuppance – their guy ups and walks off, taking their money with him!


THE RUNAWAY GUY – A POEM BY ENID BLYTON

Another Guy Fawkes who comes to life and runs off – but this time in fear!

Once there was a timid guy
Who heard that he was meant to die
Upon a bonfire blazing high.

Said he, ‘Oh, what a dreadful fate!
I’m quite resolved I will not wait
To meet it. Where’s the garden gate?’

He stepped down from his wooden seat,
And on his two unsteady feet
He ran into the village street.

And where he went I couldn’t say,
But maybe one November day
You’ll meet him shuffling on his way!

You might!

From the Enid Blyton Poetry Book, 1934.


THE ASTONISHING GUY (FROM THE SECOND HOLIDAY BOOK)

Another group of children (six this time) make a guy, though they already have two shillings for fireworks.

dscn6579They began to make a guy. He really was a funny one! They stuffed his body with straw, and made him a round head on which they put a funny mask. Daddy gave Ellen an old hat, and Mummy gave George a pair of old trousers for the guy.

Harry’s uncle gave the children a worn-out coat and a torn shirt and the children found two old boots in a ditch, which they pushed onto the guy’s legs.

When he was finished he looked very real. He sat in the wood-shed, grinning at them, and, as Ellen said, he looked almost as if he was going to get up and join them in their play.

Unfortunately Harry loses all but a penny through a hole in his pocket. Then tools start to go missing from the guy’s shed and the neighbours too. The boys, hiding behind the guy, lie in wait for the robber (who’s silly enough to return to the shed for more tools) and scare him half-to death before he’s caught by their fathers.

And of course, they get enough of a reward to let them buy lots of fireworks!


A VERY GRAND GUY (FROM THE SECOND HOLIDAY BOOK)

It seems making a guy is an idea Blyton revisited several times. Here we are again with Dan and Daisy who make a guy.

The twins worked very hard indeed at the guy. They stuffed a sack full of straw for a body. They stuffed long pieces of sacking for legs and arms, and they joined these to the boy.

Then they made a head and bought a mask for it. Daisy found an old black wool mat in the loft and cut off some of it to make hair for the guy.

“Noe we must dress him,” said Dan. “We will make him the very finest guy anybody has ever seen. It will be quite a pity to burn him, but never mind, guys are always burnt.”

Obviously he has never read about the runaway guy! Anyway, their grand guy gets an old leather coat from the garage, one of Daisy’s scarves, an old pair of flannel trousers and an old pair of boots from the hall cupboard. And finally, to top it off they find a funny old top hat which Daddy never wears.

All’s well until Daddy sees the guy!

So that’s where my leather coat went to! And mt old flannel trousers I use for gardening. And that’s where my boots disappeared to – and you don’t mean to say that’s my BEST TOP HAT!”

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Oops!


FIREWORKS IN FAIRYLAND (FROM THE BOOK OF FAIRIES)

This is quite a crazy little story. After a row about knife-sharpening of all things, the fairlyland workmen vow to get even with the fairies and plant fireworks amongst dishes for their big feast.

Everything went well until an elf asked for some ice-cream pudding. For directly the Head Steward began to put a spoon into it, there came a most tremendous noise!

Crack! Splutter-crack! Bang!!!

It was the cracker inside the pudding, gone off directly it was touched!

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There are even more stories about guys, bonfires and fireworks I just don’t happen to have any of them!

There’s:

  • Brer Rabbit and the Guy from Enid Blyton’s Sixth Brer Rabbit Book,
  • The Guy in the Wheelbarrow from The Golden Book of the Year 
  • Round the Bonfire  from Sky-High (a Birn Brothers Book)
  • The Big Bonfire  from Read to Us (another Birn Brothers Book)
  • Benny and the Bonfire from Just Time for a Story
  • Round My Bonfire from The Big Bedtime Book
  • November Bonfire from Enid Blyton’s Fifth Bedside Book
  • The Bonfire from Enid Blyton’s “Happy Year” Song Book
  • The Big Bonfire from Enid Blyton’s Annual
  • Peter’s Fireworks from Enid Blyton’s Fifth Bedside Book

And that’s not even starting on the magazine entries! I think it’s safe to say that Blyton liked a good bonfire night.

Oh and as a bonus, here is a Secret Seven jigsaw – Secret Seven and the Guy.

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I hope everyone enjoys their bonfire night this year (I won’t because unfortunately I finish work at 7pm and that’s when they start the display here.) But there’s always next year.

So have fun and stay safe!

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Famous Five 70s Style: Five Go Down to the Sea, part 1

As far as I am concerned Five go Down to the Sea comes in three different stories. The premise is the same in each, there is something going on in this quiet Cornish village that the Five stumble across and try to solve. The book captured my imagination when I read it for the first time, it was thrilling and full of suspense and twists and turns, such a super read and I remember being disappointed when the 90s TV adaptation of it didn’t live up to the book, and now I am aware of how much was changed in the 70s adaption so the story is barely recognizable. Come with me and take a look at why I think that.

The Changes

lusttmjuwusyazax_o_rupert-graves-as-yan-in-five-go-down-to-the-sea-1979At the very beginning for example, Uncle Quentin drives Timmy to the train station while the Five go on their bikes and then pushes to the front of the queue to get the children and Timmy their train tickets. I mean talk about unable to do it for themselves! In the book they just make it to the station, get their tickets and get onto the platform for the train arrives. In this version they stand looking for the train for a good two minutes (which could be longer depending on how you interpret the time). It then becomes apparent that Uncle Quentin is meeting the Five down there – so why didn’t they all go by car or train? The answer to this question comes when Uncle Quentin leaves the Five at Tremannon farm in the car because he has a conference to go to. Does he not know that they can’t not get into trouble?

Anyway, before the Five arrive at the farm they decided to take a look at one of the coves, and possibly swim. During this exploration they see a boy down by the rocks, very close to the edge and they remark that the tide is coming in. Then comes a distraction in a big military plane flying overheard. Now the mystery appears to have some background to it; seasoned Famous Five fans can spot this plot twist a mile away, at least I can. Of course I may be wrong, its been a while since I saw the second part of the 1970s Five Go Down to the Sea.

The boy who was on the rocks has apparently disappeared in the waves and the Five are worried that he has drowned. The boys send the girls back to get help while they dive in to the swirling water (at a particularly dangerous point of the coast) to try and save the boy, who as I am sure you have guessed is Yan. The girls reach the farm and explain everything to Uncle Quentin and Mrs Penruthlan. Mrs Penruthlan however dismisses their fears as the boy from the beach walks in, perfectly fine and sits down to food (maybe he’s been adopted by the Penruthlans because he is on his own? I don’t know). The boys are less than impressed when they arrive, soaking wet to find him eating at the table in the kitchen.

rupertgravesYan, played by a young Rupert Graves (as many will know from Sherlock fame), immediately starts getting chatty with the boys after lunch, telling them about the ‘pirates’ who used to lure ships onto the rocks in the olden days and how his great-grandfather used to light the light to guide ships onto the rocks. He’s quite free with his information and seems to trust the boys right away. He also doesn’t follow them aorund like he does in the book and fawn over Timmy. I wonder how this will play out in the next part?

The Barnies

So this will just be a short piece on the Barnies, just looking at the differences between the book and TV episode.

The Barnies are not expected at Tremannon Farm in this universe and are a surprise to the  Penruthlans  and in fact Mr  Penruthlan is very rude to the Guvnor about letting the Barnies stay the night on his land. His wife is the one who over rides her husband and tells the travelling show that they can stay. Grateful for a chance to rest their clapped out bus, the Barnies’ Guvnor declares that they will put on a show for free due to the hospitality shown then. That in itself is a change from the book as the Barnies are supposed to be frequent visitors to the Tremannon Farm and charge for their shows.

One other change I want to bring to your attention is the apparent personality swap between the Guvnor and Mr Binks, who is in charge the Clopper the horse. The Guvnor is jovial and light-hearted whereas Binks is surly and unlikable. Now I don’t know if this is a ploy to lead us into a Red Herring as to who the bad guy really is. I don’t know, but we’ll have to see next episode.

Conclusion

A promising episode, but things are niggling again, like always. The story needed some more padding and exploration – I do not think we got very far into the children actually being in the middle of a mystery, and even the tussle at the end with Dick on the beach being caught by a ‘pirate’ is rather underwhelming.

In fact the episode is hardly laugh out loud like the book and even the 90s version. However it has its moments, the bad jokes from the Barnies’ Guvnor for example are quite a giggle. I must admit though, even with his approximate five minutes on screen, Rupert Graves does make a lasting impression as Yan. Its easy to see how he managed to build up such a successful career in television; he just takes over the whole screen. Even in his role as Lestrade in Sherlock, Graves gives Benedict Cumberbatch and Martin Freeman a run for their money because he makes them work, trying to act them off screen.

I look forward to the next episode and finding out how this adaptation has been rounded off. Also, another look at a baby Rupert Graves wouldn’t go amiss.

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The Adventure Series on TV – The Sea of Adventure

I think that Valley of Adventure has to be the strongest episode of this series so far (and far better than anything from The Secret Series had to offer). I really hope the series can stay on form at this point and that Sea isn’t a disappointment.


OPENING SCENE

This introduces us to who I assume are our gun-runners. They seem to have a more high-tech set up though, with a shark tank and fully kitted divers who react to alarms to retrieve crates from the sea.


HOLIDAYS ARE SUPPOSED TO BE RELAXING, AREN’T THEY?

Allie, Bill and the children have arrived at Wellington Airport as Allie has business in Wellington with a new exhibition of Maori art. They are collected by a friend and former trainee of Bill’s – Dennis. There’s someone taking photos of the family too. Bill insists he is just on holiday from the British Secret Service, but Dennis tells him that an agent has gone missing in the area recently.

The hotel’s main feature, besides having a pool, is that it seems full of people who want Bill to disappear. His room gets bugged and our chaps from the opening scene certainly aren’t happy about his being in the area.

Philip’s interest in animals gets a brief mention – he wants to explore the hotel grounds to find insects. Dinah warns him not to bring any back inside and they argue for a moment before Aunt Allie tells Dinah that Philip is just trying to wind her up.

That night the two boys see a long-haired man with a rifle who seems to be following Bill. Rushing out in their dressing-gowns they manage to wrestle him to the ground. It turns out, however, that the long-haired man is Horace Tipperlong and it’s not a rifle but a long-range microphone to record bird-sound. So in this way the children make an enemy of Horace very early on.

I'd believe this was a rifle, wouldn't you?

I’d believe this was a rifle, wouldn’t you?

Dennis takes Bill and the children on a drive to visit a bird sanctuary (and they have a Maori sing along on the way) but someone with a real rifle shoots out one of the tires. The car goes off the road, down a grassy slope and ends up near the the water’s edge. Bill cracks his head on the windscreen but otherwise everyone’s ok, then Horace nearly adds two casualties to the list when he refuses to stop his car for the boys.


THE ADVENTURE REACHES THE SEA

Bill, aware that a few funny things are going on, decides to take a nice, safe boat trip to get out of the way. The kids ask to go along and Bill agrees, telling them they can go and see penguins on one of the islands. Unfortunately he has discussed these plans with his boss over the phone, and everything has been overheard. The only thing they don’t know is that he has the children going with him.

A dead body has been washed up on a nearby beach and so Bill gets called away to do something about it. He keeps insisting that he’s only on holiday and not working, though. He also says he wants to share information with Dennis, to help, but isn’t sure what he can say. Dennis must be from a New Zealand intelligence agency otherwise he would answer to  the same people as Bill, which throws the comment about him being Bill’s trainee into question. Anyway, Allie takes the kids to the boat and leaves them on their own until Bill arrives at night, while they’re in their bunks. I think that’s all just a ploy so that when the enemies follow Bill to the Lucky Star they don’t realise he has company.

Interestingly, Philip says that Bill will have to learn to deal with their nonsense if he’s to be our dad. So clearly things are more series at this point, despite the proposal not occurring until Ship in the books. The kids all call him Uncle Bill, too. Which is a bit strange, as Blyton usually went for politeness in children yet in the books they just call him Bill. I suppose they were as equals there, having shared adventures and rescued each other.

The Lucky Star has had quite an upgrade since the book as well. It now has a full kitchen, comfortable bunks and carpets! Bill goes for a snooze and leaves the children to navigate, and following his directions they land up exactly in the ‘drop zone’. Jack sees something being dropped from a plane, while the enemies get highly suspicious of Bill’s presence.

kitchen

Yes, this is on a boat!

They get to the island without incident, though. It is supposedly uninhabited (except for the penguins) but they do spot some rubbish there. They don’t actually find any penguins, though. I’m guessing this was for budgetary reasons, but Henguin and Penguin didn’t have the same ring anyway.

Bill goes off to his boat to fish for their dinner (instead of tinkering with the radio) and a diver climbs aboard and kidnaps him. For the second time some unknown person with a spear is watching. (I just hope it’s not a crazy monk.)


A STORM, A STRANGER AND AND OLD “FRIEND”

A storm blows up and by now the children have realised that something has happened to Bill. They are huddled in one tent and, as in the book the spare tent gets blown away. But then we diverge from the text again. Instead of the second tent being dramatically ripped from over them (which, granted, would be hard in a modern all-in-one tent!) it sort of half-heartedly collapses. Then, instead of finding shelter accidentally in a puffin, er, penguin burrow (do penguins make burrows?) they instead go into a handy shack. Yeah, a shack on an “uninhabited” island.

The uninhabited shack on the uninhabited island is in fact inhabited by our spear-holding stranger. He is a Maori chap who is concerned by the lack of penguins. So he welcomes the children and they have a sing-along. Why is there always singing??

A boat then approaches and their new friend warns them all to hide. Jack is not with the others though, he’s peering into rock-pools. He notices that it’s Bill’s boat, but without Bill at the helm. The children hide (pretty terribly) in the shack but are not found because the men figure that the Maori man is just angry they are on his property and skedaddle.

When Tipperlong turns up the children plan to steal his boat. This comes across as rather more blood-thirsty than in the book, though at this point they do still suspect him as having something to do with trying to harm Bill. They get the boat without any violence (or threats of) but their own signal-fire brings the enemies to the island too.

Meanwhile, Allie hires a helicopter. “But we don’t know where they are,” Dennis says. “That’s why we’re looking,” Allie fires back. Touche.


THE RESCUE

And then we’re back on track with the book somewhat. The baddies mistake Horace for one of Bill’s men and kidnap him too. The children feel it’s too far to the mainland (more convincing in the book again) and decide to rescue Bill themselves, fuelled only on the many cans of beans Horace has in his boat’s cabin.

They’re able to follow the enemy to another island, one with buildings and electric fences on it. There are several sheep jokes – the sheep are setting off the alarms, that there will be lamb for tea if that’s the case. And the children hide amongst the sheep. Yes, four children in brightly coloured cagoules completely disappear in between half a dozen sheep in the middle of a field not ten feet from the enemy.

sheep

Four children and a bird are hiding in amongst the sheep.

This was the point where I inevitably tuned out for a while, but from what I gather it was a filler ten minutes of distractions (including the girls singing) in order to rescue Bill.

They get chased by another boat and Horace nearly lights a stick of dynamite instead of a distress flare, and Bill gets a great idea. He empties out the powder and throws the empty lit stick onto the enemies’ boat. Obviously he couldn’t kill anyone, this is a children’s show after all, but it does trick them into jumping overboard.


This was not as good as Valley. But it wasn’t as bad as Wood (nothing could be as bad as Wood). It is more on a par with Island. So it wasn’t great, but it wasn’t terrible either. I fail to understand why they had to add a new character on the island. It was really unnecessary, as it always has been! And the lack of puffins (or penguins) was a real shame.

 

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Halloween Tricks in St Andrews, chapter 2

Anatoly and David turned quickly on their heels, though they knew what it would be. “That would the ghost then!” David said, pretending to swallow and take a step forward towards it. “What’s your problem?” he asked it as Anatoly pushed the girls behind him.

“We shall soon find out,” Anatoly said. “You girls stay here,” he added before starting to run at the figure. “Come on, David!”

He knew that in this building it would be easy for Julian to lose them. He and David ran after Julian, careful to look as if they were putting all their effort in. They chased him into the stairwell at the other end of the long corridor where Anatoly hissed out an instruction. “Go down, then up the other stairs to meet the girls,” he said, dragging David up the stairs instead.

Julian nodded, and thrust the sheet in Anatoly and David’s direction and hurried off to the other stairway, wondering if they would fall for it. He hadn’t really liked making Darrell scream, but it would be worth the frights in the long run. He hoped the girls would see the funny side. He reached the stairs and began to climb them. He saw the girls at the top and said to them, “there you are! I couldn’t find you!”

“Where were you!” Sally almost wailed, hurtling into his arms. “That ghost appeared again!”

“What?” he asked in surprise, listening to Darrell as she explained exactly what had happened. “So do you think he snuck behind the curtain while you were in the room, and waited for you?” he asked. “I want to take a look then, see if there are any clues.”

“Don’t go up there!” Sally said, holding him tightly. “Please Julian! The others may have caught him!”

“Hey, it’s all right,” he soothed. “I just want to look behind the curtain, see if there’s anything there. You two can come with me.”

Sally gulped and gripped his hand tightly. “I don’t want to,” she whispered as Darrell stood next to her to rub her arms so that she calmed down a little.

“It’ll just be some silly first year playing a joke,” Darrell said briskly. “It is Halloween after all. Some people like to go around scaring other people. I bet this chap has been pulling this prank all right, and we were just unlucky to get it twice. In fact,” she added, after a moment’s thought. “I wouldn’t be surprised if there were a group of pointing ghosts out there tonight. Don’t you think the last one seemed a bit shorter than the first?”

Sally swallowed and nodded, “I suppose you’re right. It’s just a prank. Sorry, I don’t know what came over me. I just got spooked.”

“Well it is the scariest night of the year,” Julian said. “But on the plus side you have an Einstein like me to protect you,” he joked, an arm around her as they made their way back towards the law professor’s room. They met Anatoly and David along the way, returning the way they had gone.

“We lost him on the next floor,” Anatoly lied.

“That’s a shame,” Darrell said. “Sorry I screamed,” she said, reaching for his hand to give it an affectionate squeeze for looking after her even if she had teased him horribly about his moustache.

“I was just going to have a look behind the curtain and see if there was any clue to who it may be,” Julian added, glancing at David and Anatoly. “Can you show me where he was hiding?”

“It was behind this one,” David said, pulling the curtain aside a little and peering in.

“You do not need to apologise, dorogoy,” Anatoly said, pretending to peer interestedly behind the curtain too.

“Are you sure?” Julian asked as he peered round the curtain into the alcove, wondering if he was being convincing.

“Yes, it was definitely this one,” David said. “We were in that room,” he added, pointing to the door from behind which was coming a lot of feminine giggling.

Julian looked up and nodded, “And he came out before you left the room?” he asked, playing dumb. “As in, he was in front of you?”

“No, he appeared once we got to the end of the corridor, where you found us,” Sally said.

“So he might have come down the corridor behind you?” Julian asked.

“It’s possible,” agreed Darrell as Anatoly turned to look down the corridor.

“Let’s go and have a look,” Anatoly said. “Are you girls coming with us or going onto the next room?”

“We’re all going to the next room,” Darrell said firmly. “I for one don’t want to let this idiot, or idiots, ruin our night.” She quickly explained her theory about there being more than one ghostly figure, and how they weren’t deliberately targeting their group, to David and Anatoly who had missed it before. “And we want to win the grand prize, don’t we?”

They all looked at each other and nodded. “She has a point,” David said with a nod. “Where’s the map? You have it, don’t you Tol?”

Anatoly nodded and dug it out of his pocket. “So we have a choice of geography, literature, mathematics, history, chemistry and art,” he said. “Maths or history would be the closest to where we are right now.”

“Shall we do maths first? Before my brain falls out of my ears?” Julian laughed.

“Maths it is then,” Anatoly agreed. “We need to go… down to the ceeeellarrr,” he told them, putting on his scariest voice.

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Monday #189

We’ve got a longer list than usual for you this week. With Halloween today we have the second half of our new story, plus our usual weekly posts, then we will finish with our roundup for October. (As by then it will be November!)

So here’s what it will look like:

monwedfrisun

Happy Halloween, everyone!

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Halloween Tricks in St Andrews, chapter 1


Julian ran his hand through his hair and took a step back from the mirror to check that the chalk dust hadn’t fallen too heavily on his shirt, bow tie and tweed jacket. He took the finishing touch, a bushy whitened stick on moustache out of his pocket and carefully began applying it to his top lip as there was a knock on the door and David Morton barged in.

“So how do I look?” demanded David with a grin, extending his arms to show off his own costume to Julian.

“Like a hairy fruit bowl,” Julian laughed. David had sourced the most awful wig from somewhere and somehow pinned a large apple to the top of it. “The apple is supposed to prove gravity, you know, not defy it!”

“Ah, but watch this!” David said holding up a hand. He pulled at a thread by his face and the apple slid down onto his head with a soft thump. “Simple pulley system to demonstrate gravity in action!” He grinned. “I bet your costume can’t do anything quite as brilliant as that! By the way, have you see Toly’s costume? He wouldn’t let me in his room earlier!”

Julian rolled his eyes. “And I don’t suppose it defies gravity when it rises back up?” he muttered, not ready to lose the point. “And no, I haven’t seen Toly. I swear if he decides he needs to work tonight, or that he is going to dress as a secret agent, I’ll swing for him.”

David carefully let go of the string and the apple slid back up the pin. “You wouldn’t be the only one. Darrell would be way ahead of you with a right hook!” He sat down in Julian’s desk chair and stretched out his legs. “One thing I am not keen on are these tight things that they used to wear. Makes me look sissy!”

Julian snorted. “That’s nothing to do with the costume,” he said.

Shooting him a dark look, David retorted with, “Well at least I don’t look like I’ve been white washed in a paint factory!”

It would have descended into chaos if there hadn’t have been a smart rap on Julian’s door once more and then their friend, Anatoly Petrov was standing in the doorway, looking very unlike himself.

Julian and David looked at each other and laughed. “Well, the ‘tache seems a bit more fitting now,” Julian said. Having decided on their costumes a few weeks in advance Anatoly had decided to grow his own moustache for his ‘disguise’ as he kept calling it.

“So, who exactly are you supposed to be?” chortled David.

Anatoly rolled his eyes. “You know who I am,” he said, holding up the largest lightbulb he had been able to find. “The father of the alternating current electrical system!”

David and Julian shared a glance. “You would go for Nikola Tesla,” Julian said after a moment. “Anyone Russian!” he laughed.

“Tesla was Serbian-American, for your information,” Anatoly corrected him. “And anyway, you can hardly talk, you stuck with an Englishman, David!”

“Yes but without Newton there would be very little science!” argued David. “Anyway, Ju broke the mould and went with a German!”

“Which he is already starting to regret,” Julian said, brushing more chalk dust from his jacket.

“I do not expect Sally will be kissing you very much tonight,” Anatoly said slyly to his friend. “You will probably ruin her dress, whatever it is she is dressing up as!”

“Oh shut up you,” Julian groaned. “You’ll be no better off, Darrell can’t stand the monstrosity on your upper lip.”

“And your wig is ridiculous,” David added helpfully, pointing to the side-parted hairpiece covering Anatoly’s curls.

“Darrell loves it really,” Anatoly defended himself. “And your wig is hardly much better Morton! It is not my fault I cannot get my hair to lie flat!”

“A shilling says Darrell calls it a monstrosity or worse before we get to the party,” David said to him.

“Deal,” Anatoly said firmly, holding out his hand for David to shake.

“Who decides if her word is worse than monstrosity?” Julian asked, checking his watch.

“You can,” David said with a smile. “As it doesn’t see you’re joining in the betting?”

“Well I know better than to bet against you on this one,” he said with a smile. “Ill save any wagering for later.”

Anatoly sighed and checked his own watch. “I think we should go if we are going to get to the girls on time. Are we going to do anything to wind them up tonight?”

“Exist?” David suggested with a dead-pan face.

“Speak for yourself, Isaac,” Julian said.

“That’s SIR Isaac to you,” David said haughtily.

Julian pulled a face at him and turned back to Anatoly. “I don’t know, I hadn’t really thought about it. Maybe we could pretend we have found a mystery or something and annoy them with cryptic phrases and things?”

Anatoly’s mouth grinned under his wiry moustache. “That sounds like fun.”

“What sort of mystery were you thinking Ju?” David asked as he got up to check his own costume in Julian’s mirror.

Julian thought for a moment as he picked up his slate board which read E=MC 2. “I’m not sure. We don’t want Darrell thinking you’re working, Toly. That wouldn’t go down well.”

“Maybe something like, we think we’re being followed?” David suggested as Anatoly nodded seriously.

“Well that could be believable,” Julian agreed. “There will be lots of people in similar costumes, so we pick a common one and go on about that ghost that keeps appearing?”

“We could even take a ghost costume out with us and share it between us, disappear occasionally so we actually have something to lookout for?” Anatoly said, his eyes twinkling with mischief.

“Now that’s why they made you an agent, clearly,” David grinned, pleased enough with the idea to actually praise the Russian.

“Where are we going to get a ghost costume at this time on Halloween?” Julian asked practically. He watched both David and Anatoly turning to look at the white sheet on his bed. “Oh no, you’re not nicking my bedsheet!”

“Where else are we doing to find a ghost costume?” Anatoly asked him with a smirk.

“And what happens if it gets ripped or dirty? Matron will lose her rag big time!” Julian pointed out.

“I’m sure you could stand up to matron,” David said. “She likes you!”

“Not that much!” Julian shot back. “She likes you more Morton, you goodie two shoes!”

Anatoly rolled his eyes and shook his head as the boys bickered. He folded his arms and eventually said; “Shall I go and get one?”

“Where are you going to get one from?” David asked, trying to remember if he had locked his door when he had left. He didn’t fancy coming back from the party to find his bed stripped, or to trying to wrangle a new sheet from matron either.

Anatoly grinned. “The linen cupboard, of course.”

Julian eyed him suspiciously for a moment. “You can… What am I saying? If anyone could break into Matron’s supplies it would be you.”

Anatoly grinned suddenly. “I can indeed, it helps when she has given you a key!” He held up the key for them to inspect.

“She GAVE you a key?” both Julian and David echoed in disbelief.

“She actually gave you it?” Julian asked.

“You didn’t steal it?” David asked.

“No, I did not,” he said smugly. “My superior pulled from strings in case I ever found myself in need of supplies.”

“Jammy git,” Julian muttered. “Where else do you have keys for?”

“The larder,” Anatoly shrugged, knowing that both boys would be instantly even more jealous than they already were.

“And you kept it a secret all this time?” David exploded. “I mean it’s bad enough you’d be willing to leave one of us without a bed sheet when you’ve got a key to the linen cupboard, but you’ve sat and heard us go on about how hungry we are and you could walk into the larder at any time you like!?”

“I promised not to abuse it,” Anatoly said with a contrary air.

David snorted. “Well that’s convenient for you.”

“Do we want to have a sheet to scare the girls with or not?” Anatoly demanded trying to get to the point.

“Well yes! But it’s the principle of the matter,” David said grumpily.

“At least we know now,” Julian said. “The occasional snack wouldn’t be abusing the privilege,” he said meaningfully to Anatoly.

“Maybe, we can talk about it,” Anatoly said with a sigh. “All you two ever think about is your stomachs!”

“Just because you can go months without food,” David exaggerated, rolling his eyes. They all knew by know that Anatoly could go without food, sleep, water, shelter and any human comforts for as long as necessary, or so he claimed.

“I cannot go months!” Anatoly sighed. “Are we going to get a move on or not?”

“Right, you go help yourself to a sheet and then we’ll get going for the girls,” Julian agreed.

“You get some scissors and I will get the sheet,” Anatoly said with a grin as he went to head out of the door.

“Well I hope Matron doesn’t revoke his special status when she finds out he’s cut up her sheet,” Julian said.

“I wouldn’t worry about him, clearly he’s the golden boy,” David said, still a little grumpy. “It’s us that will get chewed out!”

Julian shook his head. “He’s the one with the key, he can take the blame,” he assured David, knowing that Anatoly’s secrets were not the real reason for David’s dark mood. David always got morose a month or so into the term, missing his girlfriend, Peter. It was worst when he had been at university long enough to really miss her, but not long enough that there would be a holiday soon for him to look forward to seeing her again.

“Well I suppose as long as she doesn’t catch us with it, then I suppose it will be alright,” David admitted after a moment.

“Like Toly would let us get caught,” Julian assured him, digging out a pair of scissors and a bottle of ink. “We should draw some eyes on or something, I think.”

“And a mouth?” laughed David.

“Do ghosts have mouths?” Julian pondered aloud. “We don’t want it to stand out too much from other people’s.”

“Well, they must do, otherwise how to they make a noise?” David laughed as Anatoly knocked on Julian’s room door again.

“Magic, ghostly power?” Julian suggested as he opened the door to re-admit Anatoly, a fresh white, folded sheet over his arm.

“Well in that case, we shouldn’t have a mouth on it then!” David said as Anatoly handed over the sheet.

“Mouth?” Anatoly inquired.

“David thought we should draw a mouth on it,” Julian said, brandishing the pen.

“No mouth,” Anatoly ruled. “Let us just keep this simple.”

“Simple, right,” Julian said, putting down the pen and picking up the scissors. “So who’s modelling this so I can work out where to cut the holes?”

“Morton!” Anatoly said immediately.

“Why do I have to do it?” David grumbled. “If either of you two do it, it will end up looking like a scarecrow!”

“And if you do it, the model will end up with his eyes gouged out probably,” Julian said.

“It’s more likely to happen if you did it, Kirrin!” Laughed David.

Julian snapped the scissors open and shut. “Don’t be such a baby.”

David sighed and, after removing the wig-and-apple device from his head, pulled on the sheet. “Happy now?” he asked resigned to his fate.

“Well it is an improvement on your looks, certainly,” Anatoly needled him.

“Oh, go away Petrov!”David groaned as Julian started drawing on eyes.

“Hold still,” Julian warned him. “Or you will end up missing an eye!”

“I’m not moving!” David protested as Julian pressed the pen a little heavier around his eyes.

“You move every time your mouth opens!” Julian said.

David rolled his eyes a little as Anatoly laughed. “The day Morton stops opening his mouth is the day I come back from working without a bruise.”

Julian snorted with laughter and reached for the scissors. “You’d better not argue with that, David, or I really will scar you for life.”

David pushed Julian away, “Take it off before you take the scissors to it!” He protested pulling off the sheet. “I don’t trust you with scissors that close to my face!” Julian laughed and took the sheet and began to cut out the eye holes, while David replaced his apple on his head and hid the strings in his wig.

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The Mystery of the Secret Room

the-mystery-of-the-secret-room-14The Story

Now I raced through the last Five Find-Outers book, pretty much in a day but unfortunately I didn’t quite get carried away in the story of the Secret Room as much as the Disappearing Cat.

Fatty still annoys me; I’m sorry to all those who like him as he has his flaws etc, but I want to slap some sense into him like Darrell wanted to slap sense into Gwendoline during her first term at Malory Towers. He’s an arrogant little sod, who really needs taking down some pegs and I can’t admit I didn’t enjoy his little time of incarceration by the baddies in this book. However it seemed to have done nothing for the swelling of his head because at the end everyone is talking to him as if he is a hero and he gets all puffed up like a puffer fish again.

It’s an interesting story, one that’s quite familiar to those of you who have read Sherlock Holmes by Arthur Conan Doyle, someone who Fatty looks up to, and the Mystery of the Secret Room is definitely one used by Conan Doyle. It is, however, one of those ‘classic’ mysteries that detectives are always solving, but still, Conan Doyle wrote so many of these sorts of stories that I’m sure Blyton as the keen reader she was, would have delighted in making up her own one to add to the fray.

Blyton creates a rather complex mystery that really doesn’t get solved until the end, because there are so many pieces that the FFO can’t see or don’t put together. Goon however shows himself to have a bit of smarts when he thinks the children are off to Milton House because they’ve made a connection between a robbery and the empty house. He doesn’t execute his plan very well however when he sneaks off in the dark of night to try and catch the children playing around in the house and trying to solve another mystery. Goon, unluckily, gets himself locked in the coal cellar by Fatty, who thinks he’s a member of the gang. Not so clever really.

The story does come to a satisfactory closure, with Fatty having effected a daring escape from the house where he has been locked up and the others deciphering his secret message and getting hold of Inspector Jenks to come and round up the mystery. I am surprised however that Fatty doesn’t get reprimanded  more strongly by his mother for sneaking out at night and getting himself into trouble. I guess some parents are laid back enough like that not to care what their child is up to. I wish Fatty’s parents had been stricter. It would have been more of a benefit.

What I didn’t like

A lot of what I didn’t like comes down to Fatty, as you may have guessed. He becomes even more unbearable in this book than in the last ones and even has the cheek to demand that Larry hand over leadership of the Find-Outers to him just because he’s taken up time at school to learn some ‘serious detective skills’. The problem is comes down to the others just letting him, poor Larry doesn’t even raise an argument and steps aside with good grace while Fatty waddles on in and starts taking serious control.

The others are suitably impressed by his detective skills that he has perfected, but really apart from Buster there is very little about Fatty to like. I really can’t understand Bets’ hero worship towards him – though mercifully she’s the only one who sees him this way. The others do see his boastful side, but in the spirit of Blyton’s characters they really let him get away with it. As I’ve mentioned, Darrell tries to squash Gwendoline, not to mention Julian, Dick and George coming down hard on Richard, Dinah, Philip, Jack and Lucy-Ann being scornful of Gussy when it comes to all his airs and graces. Blyton is very well known for letting people get their comeuppance and showing people that its not the attitude to have, which is why Fatty is so puzzling. He breaks the mould, and quite frankly as someone who bases a load of her personality on the manners and thing that she read in the Famous Five when she was little, I’m appalled at Fatty. He really is someone I would never like to meet!

Another thing I admit to not liking about this story is how sidelined the rest of the FFO are. Pip, who is the one who discovers the secret room, barely gets a look in because Fatty needs to do it all. Larry gets one job, to find out who owned the house in the past and then that’s it. It really is! Bets and Daisy hardly get to do anything at all, and even when they do, they are accompanied by their brothers. Its tedious; this book isn’t about the FFO its simply about how blooming amazing Fatty is supposed to be.  Humph.

One last thing about this story that I don’t like before I tell you what’s more positive about it, and that is it takes so long to get started. We go from the beginning for the Christmas holidays without even hitting Christmas, and there is no mystery for the first seven chapters but only when the prank they try and play on Goon goes wrong are they sure they have something worth investigating. The whole thing seems to be such a slog, and only delivers on the excitement at the end of the book, when everything happens at once. Most tiresome I find as I do prefer a book with twists and turns all the way through – much more satisfying.

What I DID like

Bets is the first thing that comes to mind on this one. Bets who is growing up a bit, but can still the baby of the group is clearly the one with some of the sharpest brains. All right she may be trying to impress the annoying Fatty, but she can certainly have her moments. She’s the caring one of the group, wanting to make sure that everyone is all right, and that Buster’s leg is healing after he gets into a scrape with another dog. She is the one who smells the orange on Fatty’s note trying to trick the children to Milton House to get caught and locked up until the men had finished whatever they were doing. If it wasn’t for Bets, no one would have been able to phone Inspector Jenks and catch all those criminals.

The baddies are the next thing. Although aloof through much of the book, they certainly have the upper-hand towards the end. You have no idea how many of them there are, and what they are up to. At first I thought they might have been Russian spies because of the book Fatty finds in the secret room, but that turns out to be codes. The fact that they are jewel thieves is kept quite quiet for most of the book and becomes a surprise. There is one moment of it however when Goon thinks the children are on to jewel thieves but you dismiss it because its a theory of Goon’s and the reader is not supposed to think very highly of the local policeman.

The scenes where interaction takes place between Goon and Fatty’s dog Buster are quite funny, particularly to me, as I do wonder if Blyton got her inspiration from P.G Wodehouse who wrote some fantastic scenes between a village policeman called PC Oates and a lady of society’s little Scottie dog, Bartholomew. Oates always complained about Bartholomew and Bartholomew always liked to have a go at the policeman’s trousers. If this doesn’t sound like Goon and Buster, I don’t know what does. The fact that the first book with Bartholomew and Oates in was written and published in 1938, and the Mystery of the Secret Room published in 1945, it is possible that Blyton read the book an on some level the interaction between a Scottie dog and a policeman stayed with her and worked into her writing.

Conclusion

With all that said, I think you may be able to guess on what my thoughts about the book are and how I feel about it. Its not one of my favourites, the overbearing Fatty takes away any enjoyment for me, and drives me nuts!

Not to mention the fact that the mystery takes so long to start and there is a lot of drag, there are hardly any red herrings and the FFO don’t seem to falter because their ‘darling’ leader Fatty has it all under control and is clever, resourceful and so on.

I know a lot of you are going to disagree with me, Fatty is loved because he has ‘flaws’ that he accepts but in Blyton’s world if he had met any of the Five, Jack, Philip and Dinah, or Darrell for example, they’d have squashed him flat. I guess I just don’t like the double standards of it all. Pip, Pip.

Next review: The Mystery of the Spiteful Letters

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My three top baddies

And so here is my ‘surprise’ for the week. Talking of surprises we will also have one on Sunday for you – a Halloween themed one.

Continuing on from three favourite characters, and three favourite adults I have decided to look at my top three baddies. Why not favourite baddies, you ask? Well, mostly because I couldn’t say that I like any of these people. They are the kind you probably love to hate and enjoy reading about, though.


JO-JO

Jo-Jo is only marvellous as long as he is actually Jo-Jo, and not the insipid Joe of later updates. The original Jo-Jo is truly masterful, playing the slightly deranged and very stupid handyman/servant at Craggy Tops. Jo-Jo is neither stupid nor entirely deranged, rather he is extremely clever, cruel, devious and evil. He is a criminal mastermind, essentially, under the bumbling exterior he presents to others.

Jo-Jo is such a good villain because he is frightening whether he is playing his stupid and cruel servant role or being his true coldly evil self. Could you imagine being caught by him and his rope-end on the cliffs at night? Makes you shudder.

jojo


LOU AND TIGER DAN

I’ve had to keep these two together as really they are a criminal double-act. They work together as cat-burglars, using their circus skills to break into homes to steal valuable jewels. They are incredibly unlikeable as people, however. We never get to see them doing their circus performances where they are probably marvellous, but in their every-day clothes the Five can barely believe than Dan is a clown. He is the least clown-like person you could ever imagine, even if most circus clowns are known for looking rather sad when out of the ring. They, Dan in particular as he is the uncle, are cruel to Nobby and very bad-tempered with him and the Five. They are also not above poisoning animals to try to protect their secret stash of jewels. Nor would they think twice about pointing a gun at a group of kids.

lou-and-tiger-dan


GWENDOLINE MARY LACEY

Gwen probably isn’t the sort of person you would have expected to see in this list. (To be honest I didn’t think she would crop up either.) I was struggling a bit to choose between the remainder of Blyton’s traditional baddies – I mean you have a fairly long list from the Famous Five alone – as although they are all proficient at being scary, cruel and bad there weren’t many that stood out on their own.

And so, Gwen. She was actually a suggestion from Stef – never let it be said that I don’t give credit where credit is due. Is Gwen a baddie? I think she is. She is certainly an important antagonist through her six years at Malory Towers. She has many undesirable qualities like vanity, laziness, selfishness and boastfulness, but she also shows many behaviours which make her the villain of the piece, and certainly an enemy of sorts to Darrell.

First of all, she can be a bully. She pushed Mary-Lou into the pool in their first year – and not in a joking way. She did it purely out of spite. She will do anything to get her way, including carrying out acts of vandalism to frame innocent parties.

In her defence she had a spoiled upbringing and her mother and governess seemed to do everything in their power to make her vain and selfish, and she does have a huge epiphany at the end of the series when her father becomes seriously ill. That doesn’t change the fact that she’s one of those characters that you can love to hate for their sheer awfulness. I’ve read a few posts from people defending Gwen and saying she never had a chance, but I think you’ve got to look at girls like the O’Sullivan twins, Elizabeth Allen and all the others who turned up at boarding schools and learned some very hard lessons about their inner selves. It takes the near-death of her father to get through to Gwen.

I’m not saying that the other girls don’t have their faults. When it comes to writing stories set after the girls have grown up I rather tend to have Alicia as a baddie, because let’s be honest she was a rather unkind person. She does learn a couple of lessons along the way though. Darrell has her flaws too, being quick to anger and judgement but she knows this and fights a battle against it her whole time at school.

So go on Gwen, give me one of your best scowls!

Gwen scowling at Belinda

Find more favourite characters here.

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Monday #188

Good Monday all! Hope you had a lovely weekend! We shall have a bit of a surprise on Wednesday as to what we’re getting from Fiona as she’s having difficulty deciding at the moment, but I’m sure she’ll come up with a corker – as always!

Apart from that, this is how the week looks:

ristorante8-1

Have a good week everyone!

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The Mystery of the Burnt Cottage: How has Blyton’s original text fared in a modern edition? part 5

I’m keeping up with my resolution to do at least one of these a month (so far!). Previous instalments can be seen  hereherehere and here.

As always my own copy is a Methuen from 1957 – a 12th reprint/impression of the original. The new version is the most modern of any paperbacks I have looked at so far,  which is an Egmont copy from 2014.


CHAPTER TEN: INTERVIEWING MR HORACE PEEKS

The new version of the text continues to make Fatty seem lazy and uninterested in find-outing. Originally he says he would like to go with the others on a bike ride  but I believe I’m too stiff. This is changed to the weak-sounding but I don’t feel up to it. 

Considering the majority of the references to his bruises, stiffness and soreness have been cut from earlier chapters his not feeling up to going with the others sounds like a lame excuse.

The children no longer get called in to tea by a bell. The tea-bell rang. The children ran indoors to wash, and were soon sitting down, has become The children were called into tea, and ran indoors to wash. They were soon sitting down. 

It’s bad enough that they had to change a bell to being called, but it annoys me even more that they then alter the following sentences to accommodate it. Why not Mrs Hilton called out that it was tea-time. The children ran indoors… Or of course, they could still have a bell! If they have an enormous garden it still makes sense for a bell (or gong) to be rung to save someone bellowing.

As with one or two earlier chapters hie is changed to hey, and all instances of italics are lost.

  • I’d like to go
  • That seemed very suspicious indeed. Very suspicious.

CHAPTER ELEVEN: THE TRAMP TURNS UP AGAIN

In all chapters so far any capitalising of words like suspect has been removed. It is a bit strange therefore that Bets’ phrase of find-outing suddenly becomes Find-Outing here. They are Find-Outers (a name for their group) because they find things out, or find-out as Bets says. I don’t think that qualifies the act of find-outing for capitals.

As with the last chapter the bell is done away with. Instead of Then a bell rang it is Then they were called for dinner. At least it doesn’t necessitate other text being changed – but it makes slightly less sense because not all the children would have been called. Daisy and Larry went home and Fatty went back to the hotel with Buster. So, it should have been Pip and Bets were called for dinner, except it says after that how Pip went in to supper and Bets went to bed. So why was anyone called for dinner?

And again, not a single italics survives. It’s so annoying!

  • she couldn’t have started the fire
  • tell us where he was
  • Then what do we do?
  • Did you really see them?
  • now we seem to have two people

Perhaps five uses of italics in one chapter could seem like a lot, but the pages are hardly peppered with it.

Some odd things that have survived are a couple of references to Fatty’s bruises. Mentions of bruises have been cut out of earlier chapters, but in this one we are told his bruises are now red-purple, and he slept badly because of his bruises.


Only six individual changes between those two chapter, but we now have 109 altogether.


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Famous Five 70s Style: Five Have a Wonderful Time

five-have-a-wonderful-time-20

Five Have a Wonderful Time was one of the Fives that brought my attention back to Enid Blyton when I was about eleven or twelve. I remember coming across the Millennium editions in the local library and loving that they were in colour. I fell straight back in love and I must had gotten my mother to renew those books for weeks and weeks and weeks in the beginning. So as you might be able to tell, Five Have a Wonderful Time is a book that is close to my heart, and here’s what I think of the 1970s adaption.

The Good

As we all know the 90s version of Five have a Wonderful Time has some flaws, largely due to Marco Williamson’s broken leg demanding plot be changed to accommodate him. The 70s episode however has none of these problems, and for the most part the episode sticks right to the script, but as with most of Richard Sparks (one of the writers, the other being Gail Renard) adaptations the episode doesn’t tend to always keep to the story. More about that later, however.

To start with, we have George’s illness which is why she is late joining the others to the caravans they’re staying in at Faynights Castle, which is by the book and we’re treated to a joyous reunion a few minutes later when George and Timmy arrive with Rogers.  From this bit forward we do tend to skip a lot of what I think of as ‘action’ but in fact it’s more setting the scene.  It does turn it into a fast-paced episode, and even though that is no bad thing, we’re moved very quickly from one scene to another. However the key points of the story are accurately portrayed such as Uncle Quentin ending up locked in a caravan by the fair folk, and Buffalo with all his amazing tricks with his whip.

The fair folk are nicely portrayed, with their bright clothes, amazing tricks and dancing. I always wonder if the people used in these sorts of scenes are just amazing actors who have these talents that remind us of fair folk or whether they are actually are fair folk. If someone can clarify for me, I would be grateful.

The rescue mission of Professor Terry-Kane  and the children is quite amazing, even though the dark filter offers a little awkward viewing when we can’t quite see what’s going on. However, the rope ladder tied onto a strong string thats tied onto a knife is a fantastic scene to see, and the escape is very well choreographed.

What I really do like is the last line of the episode being an exchange between Uncle Quentin and George where Uncle Quentin asks her what he should tell her mother about what has been going on and she says “Just tell her, the five are having a wonderful time.”

a-quiet-weekend-hiking-you-saidi-know-but-i-didnt-promise

The Not so Good

First off the bat; Where is Jo? Or even Sniffer? (See my review of the 1990s adaption here) We have no companion for the Five, which in itself is not a bad thing by any means. They are perfectly capable of solving a mystery without help, but its in the book, and there is no hint that there might have been someone else, given how easily they seem to be working with the fair folk. In fact because he is a stranger, Rogers is the one who comes in for some flack. Now in the book, the fair folk aren’t nice to anyone, let alone the children because they don’t know them. The moment Jo arrives however, there is a shift in their attitude and they embrace the children. So the lack of Jo, bothers me, not just from a plot development point of view, but from a character interaction point of view. There was a lot in that book that the Five couldn’t sort out just because they were decent children, it had to be someone from the same background who came to their rescue and actually that’s what makes this book stand out from the others, because for once, the Five can’t charm their way through the situation.

During the rescue of Terry-Kane, due to the lack of Jo or Sniffer, Anne is the one who gets away from Pottersham  and runs off to get help. Now, I guess I don’t mind Anne being the free one, but as it comes down to tying in with the lack of Jo it jars. Its not a natural split all for a candle that might not hurt Terry-Kane’s eyes so much. You also need to remember that when Pottersham gives chase to Anne in the episode, she’s only a slip of a girl, usually thought of to be quite weak so what was the likilhood of her being able to get away from him? Surely Dick should have been the one to slip out, or George which would make more sense in the chase.

The other major bug bear with this episode is that the entire adventure takes place in ONE WHOLE DAY! George arrives early in the morning and by the evening her father had turned up and they have rescued Professor Terry-Kane. Now I know they only had a twenty-five minute slot to fill but still they could have made it last more than one day! This isn’t one of Blyton’s usual quick endings and rushed adventures, this one is more of a pot boiler and it doesn’t come through. I know its a niggly little thing to pick on, but it annoys me; if you can make it work in other episodes, why change it?

One last thing, the main cast didn’t seem to have much spark in them during this episode. There were a few interesting pieces about the binoculars George has with her being a birthday and Christmas present, and towards Dick about letting everyone else have some breakfast, but there doesn’t feel like there is a spark in this episode between them at all. I don’t know what could have caused it, but its something that makes me wonder what might have been going on behind the scenes. It may have been as simple as the cast were tired or the script wasn’t as good as usual. Will we ever know? I don’t know, not unless we get told.

Conclusion

Overall, not the best episode, or maybe I’m being too picky. There are some really good little bits, like when Aunt Fanny’s dressing gown almost matches the wallpaper in George’s room, and everyone teasing Dick about breakfast, but its too rushed, too hurried and the script just doesn’t shine on this one. Unfortunately that happens sometimes, and the fact that the cast seem rather flat doesn’t help it at all. Still, its a good episode if you want to introduce someone to the story on a basic level, and parts are still joyful to watch.

Why not tell me what you think?

fhawt1fhawt2

 

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Monday #187

Well, it’s Monday again. I’m lucky not to get the Monday blues like so many people do, as I’m either off on Monday (and Tuesday!) or working 5-8pm on a Monday (and still off on the Tuesday). But for those of you now facing another working week, I hope to give you something to look forward to.

wedfri6

I’ve finally finished bringing all my old posts up to date with new headings etc, and now I just have to work my way through the rest of my list. Some of you might have had a sneak preview at that very rough list when I accidentally published it last week. Whoops!

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My three Favourite Blyton adults

As so often is the case Stef had a good idea for a blog and now I am going to shamelessly  copy her and do the exact same. Strangely, coming up with three favourite adults has been a lot easier than coming up with three favourite characters was for me.


BILL CUNNINGHAM AKA BILL SMUGS

Don’t forget Bill Smugs! Bill once shouted, from a helicopter atop a dangerous mountain no less. And indeed, how could anyone forget Bill Smugs? A daring secret-agent of unknown origins, yet he’s affable and friendly and even willing to take on four teenage children as his own. Bill is brave, resourceful and yet he is not infallible. He does make mistakes upon occasion, but always owns up and tries to fix them.

bill in castle


MAM’ZELLE DUPONT

Mam’zelle Dupont also features on Stef’s list, and I’ve chosen her for much the same reasons. Mam’zelle Dupont, the younger and fatter of the two French mistresses at Malory Towers is by far the better tempered. She sounds like a great teacher to have – even if only because she likes to tell long rambling stories about her chers nièces and other family members, meaning everyone gets out of work for a while. She even takes most of the ‘treeks’ played on her by the girls in good humour. Her mistakes with the English language are an absolute hoot, as well. Who wouldn’t laugh at her mistaking stones for pebbles and asking how many pebbles Amanda weighs? Or her talking about Alicia and her measle. And as Stef mentioned, Mam’zelle’s final revenge in playing her own trick is très magnifique.

mam'zelle dupont malory towers


JEREMIAH BOOGLE

There are several good characters in the ‘knowledgeable old man’ vein amongst Blyton’s books, but for me Jeremiah Boogle is the best. The others like him would be Yan’s Grandad from Five Go Down to the Sea, Great-Grandad from Five on Finniston Farm and Old Grandad from The Ring O’ Bells Mystery for a start. For me, though, Jeremiah is the best. He might be old and spend much of his time sitting around the docks, but he also elevates himself beyond being just a source of old story and memory. He is the one who gives the Five a tour of the underground tunnels around Demon’s Rocks, and even gets into a scuffle or two with the baddies of the story. His granddaughter may think he’s a bit of a hopeless old man who’s in need of coddling but he proves that he is still brave and capable in his old age. I would have loved for him to make another appearance in a Famous Five book.

jeremiah boogle demon's rocks


And so those are the best three Blyton adults, in my humble opinion. Who would you choose?

Find more favourite characters here.

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The Queen Elizabeth Family

My Confession

the-queen-elizabeth-familyWhen I mentioned in my Monday post that I was going to read and review The Queen Elizabeth Family, Fiona (as it turns out quite rightly) queried my choice of starting at the end of a series. (I have also just discovered that I have the penultimate book The Buttercup Farm Family on my shelves – D’oh!) However, back to my point, it is clear to me that by starting at the end of the series, I have managed to miss lots of important points, such as why do the children and their parents live in caravans but board at a school during the week. These are clearly things I will need to come back to, but I am hoping to look at the story as a stand alone story as much as possible.

The Story

As you may have gathered from the first part of my blog, I may not be quite as knowledgeable about the characters Mike, Belinda and Ann as some others of you may be, and as if I had read the books from the beginning, but I hope I can give all your first time readers to the Family series (like myself) inspiration to read them as well. So I am hoping to just be able to look at the story like a stand-alone. Blyton does write in the front of the book that each of the books in the series can be read separately even though they are part of a series, so shall we see if that stands?

So when I started reading the book I realized I was at a disadvantage, but it didn’t seem to matter too much when I got into the book. The short chapters are quite handy because the story moves quickly and given that these stories were serialized in the Enid Blyton’s Magazine it makes sense to have the short chapters. Anyway, back to the story; we join Mike, Belinda and Ann on their return from their boarding schools on a Friday evening to spend the weekend with Mummy and Daddy. They are excited to see their mother, who had a nice tea sorted for them and had kitted out their caravan with new curtains during their week away at school. The curtains become very much admired and then the questions start coming; “Will Daddy be late or early today?”

The answer is late, and when he comes home he had a big surprise for the children. They are going to go and have tea on the big cruise ship The Queen Elizabeth. Naturally the children are very excited at the prospect of having dinner on the amazing ship. They discuss that Granny can lend them her car and join them for the trip. What I didn’t realize at this point that Granny was clearly someone who had a lot of money – she has a driver! – in fact there seems to be a lot of money in the family, because they’re not like the usual people Blyton puts in caravans. In fact the father’s job must be well paying (though I don’t know what it is) because part of his job seems to be a bit of travel given that after the children have tea on The Queen Elizabeth a couple of weeks later they get told that they are going to go to America on ship.

Obviously they are delighted and can’t wait to get on board, explore, experience the food and America. Blyton’s descriptions of the food and experiences of the ship, and of America may be in part down to her own trip to the continent on The Queen Elizabeth and returning on the Queen Mary in 1948. This means she probably had an idea of what went on on these ships and the luxury they provided.

Its a very simple story all in all, about the build up to the trip, and then the trip itself. There is a little bit about the stay in New York and all the presents the children get, treats and visits to the tourist attractions. It all sounds very nice and civilized, lots of references are made to how much the Americans make and have to spend, as well as the portion sizes being much bigger than the English portions.

The children have a lovely time, being spoilt and then enjoy their trip back to show off to their school friends.

My Thoughts

Overall, the book is one for younger children. The language is simple and the chapters are short, possibly as I mentioned before because it was serialized in the Enid Blyton magazines.  Its a very simple story, there isn’t anything mysterious or anything like that, but the most simple of things, a big adventure and new experiences.

I didn’t click with the characters, they may be too young for me, and it may just be because I hadn’t read the previous books in the series. Maybe when I’ve done a bit more reading things will become clearer and I could make a proper assessment of the characters who I found a bit two dimensional .

Even though Blyton says that these books can be read independently, I think I Fiona had a point when I first said I was going to read and review: I should have really started at the beginning!

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If you like Blyton: Dead Man’s Cove reviewed by Fiona

This is the first in the Laura Marlin series by Lauren St John. Stef read and reviewed it a while back, and when I spotted it in my library I thought I might as well give it a go.

Dead-Mans-Cove Lauren St John


OF LAURA MARLIN AND ORPHANS

Laura Marlin, our heroine, is an orphan. There are a number of orphans in Blyton’s stories, and even more children who lack one parent. Jack and Lucy-Ann Trent are orphans, being raised by an old uncle and housekeeper at the start of The Island of Adventure. And of course Philip and Dinah’s father has been dead a long time by then. Snubby, cousin to Roger and Diana is also an orphan, sent from aunt and uncle to great aunt and so on during the school holidays in the Barney series, and Barney himself has no mother. Other orphans, like Fenella in Come to the Circus also end up with an aunt and uncle. Tinker Hayling of Five Go to Demon’s Rocks and Five are Together Again has no mother, and I could go on for ages with more examples.

In Blyton’s stories, however, our orphans (and half-orphans) are past the stage of mourning their parent(s). There is a sense of stiff-upper lip about it all, and characters only occasionally give in to a moment of mild jealousy when they see others with loving parents. It’s all handled very stoically, though I wouldn’t say the subject was treated coldly or uncaringly.

Laura Marlin has been without her mother for her whole eleven years, five months and x days by the start of the book. While she doesn’t mope excessively about that fact, it is at the forefront of her mind as she prepares to go to live with her newly-discovered uncle. So instead of a fairly speedy Blyton-style first chapter before an adventure starts we have a slower build up. And that’s fine.


IS THERE SUCH A THING AS LIKE BLYTON?

When I first picked this up and read the first few pages I was gripped with that slight melancholy feeling of there’s nothing really like Blyton. No matter how many books come out with that promising sticker saying if you like Blyton, you’ll love this, I have never found anything that’s truly like reading a Blyton. I even put this book down momentarily to ponder this more. And I came to the conclusion that this too, is fine. Blyton is Blyton and there’s nothing else out there that’s truly like Blyton. Instead there are great books that you and I will also enjoy if we stop analysing it for, to make up a word, ‘Blytonness’.

So I picked up the book again and kept reading. I can’t say that I stopped being aware of similarities and differences to Blyton, because I knew I was about to write a blog about it. But I did get quite lost in the story, enough that the not-Blytonness of it no longer mattered.


LAURA’S STORY

Anyway, as I said at least two rambles ago, Laura goes off to live with an uncle she’s never met. After that, we are fairly quickly immersed in the slightly strange world of St Ives, Cornwall. Uncle Calvin is kind, genial and generous, but hardly ever around. Mrs Webb, the housekeeper, is alternately falsely-over-nice and nasty. Mrs Crabtree, the neighbour, is always full of gossip and has a strange thing about seagulls. The kids at school are mostly non-entities as far as the story is concerned, apart from Kevin, who picks on Laura. Then there’s the Muhktars who run the local shop. Mrs M seems vapid and vain, Mr M comes across pleasant to your face and horrible when he thinks you aren’t looking, and their son Tariq who hardly speaks English and is what Mrs Crabtree calls ‘slave labour’ in the shop.

I don’t think there’s any great conspiracy going on in Laura not having any real friends to turn to but she is pretty isolated in St Ives. It doesn’t bother her too much (though she is quite upset when a fledgling friendship with Tariq ends prematurely) as she is just happy to have freedom, trust and a family at last.

The Dead Man’s Cove of the title is a little way along the coast from Laura’s Uncle’s house, and he expressly forbids her to go there as it isn’t safe. In fact the only rule of the house is that she is not to go there. This all makes it rather surprising that he then takes her to Dead Man’s Cove, saying she is allowed there as long as he is with her. He also points out the smuggler’s tunnel that is only rarely accessible at very low tides.

This would all be quite unusual in a Blyton book. Usually if you’re banned from going to that dangerous place you’ve been warned about you’ve got to find a way of sneaking there in the dead of night (without telling any direct lies about going. And without endangering any girls that might be with you).

It takes away some of the immediate mystery about Dead Man’s Cove for the moment, though. Well, I was wondering if the other end of the tunnel really was blocked up, but Laura wasn’t.

The real mystery then appears quite suddenly, literally in the middle of a footpath. It’s a message in a bottle, one that’s never been in the sea by the looks of it. Who put it there? And why?

Laura corresponds with the mysterious letter writer a few times, but meanwhile, she starts digging into her uncle’s past. She follows him out at night and discovers that one familiar face and an unfamiliar one are also following him.

I’m not sure how to explain all the rest of the story, but the mystery around Tariq (who ends up going missing), the letter writer and Uncle Calvin’s past all turn out to be smaller parts of the big picture.


THE ILLUSTRATIONS

With so many of Blyton’s reprints losing their illustrations it’s nice to see new books that are illustrated. Every chapter in this book has a picture at the start of it. They are by David Dean but are rather in the style of Brett Helquist who illustrated the Lemony Snicket books.

daviddean/dead mans cove


MY THOUGHTS

Unsurprisingly, I have quite a few thoughts. I enjoyed the start and middle of the book, while we didn’t know what was happening – though Uncle Calvin’s vague references to secrets were quite annoying. Usually adults deny all knowledge, but he would admit to having secrets and ask for patience and understanding etc.

It all got a bit silly towards the end, though. After the big reveal of Uncle Calvin’s secrets he and Laura start working together to solve the mystery and he pretty much tells her everything about his job and enemies.

Then there’s the problem with the bad guys plans and motives. If you’re going to ship in a secret cargo in the dead of night you want to do it as cleanly and quietly as possible. You might use a secret tunnel – sure – but not if you have to dynamite your way out of the end of it. That’s going to give the game away, rather. Especially when some of you get off the boat and get into a quiet, unobtrusive car and drive away. Realistically, they would just have used a van! The rescue of Laura and Tariq at this point also sounds kinda ridiculous – a dog leaping down a flooded mineshaft, down a tunnel and dragging two kids to a dry ledge. (It’s told as an afterthought the next day too, which doesn’t help.)

I also had a problem with the letter writer, as they had a dozen or more ways they could have communicated their problem. Instead they chose Laura to tell, and set up an elaborate series of secret messages in the hope that she would find them.

There’s also the problem of the timeline around finding the last message. Laura has two routes to school: the straightforward ten minute one or the meandering 30 minute one via the beaches. On the morning in question she gets up extra early so she can walk Skye (the dog) along the beaches, drop her off at home then get to school. She’s delayed for a while waiting for peace and quiet to pick up the message, then ends up running all the way home after Skye who’s run off. (Never mind that two pages previously, at the start of the walk she’s limping on a sprained ankle and then jumps down onto a beach and runs…) She thinks to herself that if she took Skye to the house and explained how to look after her to Mrs Webb she would be an hour late for school. So she takes Skye to school instead, and is still nearly an hour late. It just doesn’t add up!

And it irritated me that Laura waits for a document to upload when she’s trying to read a newspaper article online. Her uncle has a top-of-the-range laptop so a simple news article should appear very quickly – even if she had to download it.

I don’t mean to give a really bad impression of the book, honestly! Over-all I did like it, I just felt several flaws managed to creep in over the last third or so. If you don’t over-analyze motives and clues like I do, then you’ll probably enjoy this even more.

It has hints of Blyton at times – a storm was nature’s way of doing the laundry, thinks Laura, and after the waves have frilly cuffs. There’s the secret passage, of course, (though it’s a shame that Laura doesn’t get a chance to do any exploring of that before she’s dragged along with the smugglers), the faithful canine companion and so on. It’s probably more like Helen Moss’ books than Blyton’s, though, thanks to the modern setting. I hope that in future books Laura isn’t doing all her crime solving with just Skye for company, as I think I do prefer children’s detectives/adventurers to work in a group.

 

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Monday #186

Happy Monday all and sundry, we had a lovely day down here on Sunday – there was sun and there were times I didn’t even need a jacket!

Anyway we’ve got a three article week lined up for you this week, so I hope you’re ready for some reading!

wedfrisun3

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