We hope you had a very merry Christmas! Here’s what we’ll be doing this week.

We hope you had a very merry Christmas! Here’s what we’ll be doing this week.

A final instalment of Blyton at Christmas! (Unless I get more Christmas stories by next Christmas). The first parts are 1920-1945 and 1946-1950.

I reviewed this two years ago, giving an overview of the story as well.

Although not a Christmas title in the traditional sense, it does feature Christmas in the middle. Probably to draw a parallel between the happy family Christmas in the family homes compared to the one in the boys’ cellar.
The day before Christmas came at last. There was great excitement at Barlings Cottage. The Christmas-tree had come and was being decorated by the three children. Parcels were arriving by every post. Cards stood all along the mantelpiece and on the book-cases.
Frisky was as mad as the children. He tore here and there, barking when the postman came, barking when the tree fell over, barking at ever opportunity he had!
“I wish I could bark like that,” said Donald, standing perilously on top of the ladder to pin up some holly-berry strands. “I should be barking all day long too! Isn’t Christmas fun? I wonder how Bob and Tom are getting on. Mother, isn’t it a shame, Bob’s mother is going away for Christmas, ad he’s got to go to an aunt he doesn’t like.
– leading to –
[the policeman] also described how Bob had been found down in the cellar on Christmas Day.
“He had dressed a little Christmas-tree, and hung it with presents for the rest of the gang,” said the policeman, amid a dead silence. This was the first they knew of the Christmas-tree! Good old Bob! They all wished they had seen the tree. Bob hung his head. That Christmas night seemed a long time ago now but he could suddenly see the gaily-decorated cellar, and that little tree lit with its candles.
Images from “The Six bad Boys” illustrated by Mary Gernat
This story is about Robin and Susan, whose mother is ill at Christmas – and it shows Blyton doing what she was so good at, taking a familiar element and working it into a new story.
Daddy doesn’t know all the things Mummy does when Christmas comes,” said Robin. They both looked very gloomy indeed. Christmas without Mummy would be horrid.
“Mummy always digs up the little Christmas tree that grows in the garden, and hangs it with dear little presents,” said Susan. “We can’t expect Daddy to do that – he’s so busy and worried. The little tree will be sad not to be dressed up and made pretty.”
“Well – I don’t want it without Mummy,” said Robin. He looked gloomily out of the window to see the tiny fir tree growing in the garden. It really was a dear little tree.
Susan looked at it too. A sparrow flew down to the tiny tree and perched on the topmost spike. Susan suddenly had an idea.
“Robin! I’ve got such a good idea!” she said. “Even if we don’t feel like using the tree for ourselves, we could use it for the birds. We could hang biscuits and crusts and nuts and bacon rind on it. The birds would love it.”
Their neighbour sees all this and thinks them very good children for doing it, instead of grumbling about not having a proper tree. So once all the bird treats have been eaten off the tree she borrows it and loads it with candles and presents for Susan and Robin.
This episode is one I remembered from my childhood, I think it was one that I had on video with Five on a Hike Together. I don’t remember a lot of the episode as a rule, but I certainly remember the beginning with Anne and the house! Let’s see now, with hindsight, if the episode is close to the book.
What really strikes me about this episode is the way it actually seems to stick to the story in the book. Obviously we skip ahead a little to Anne joining her cousin on the moor, where she is staying because Timmy was being laughed at for having a cone over his head where he had hurt his ear. So far so good, the girls are on the moor, camping with Timmy and they go to look at the Roman ruins and get introduced to Guy and his dog Jet.
After mentioning that there is a lake they can swim in, George and Anne leave Guy and walk straight into his unknown twin brother, Harry, who is perplexed by the girls familiarity and rebuffs them sharply.
The whole plot then takes off, with the girls sheltering inside the ruined cottage during the storm, and being woken by Timmy barking. At first they believe it down to the thunder, but then they see a silhouette at the window and get very scared, agreeing to pack up and go home the next morning. On cue the boys turn up and a plan starts to unfold.
The details are whats important in episodes like this; the book, Secret Trail starts off quite slowly, mostly because the boys don’t arrive until chapter eight it takes me ages to get through the faff of the girls’ first chapters, but then the interesting stuff begins to happen and the whole adventure takes off. Weaving in and out of the mystery people trying to scare them out of the cottage and trying to work out what the bad guys are looking for. In a strange twist we don’t find out what the Five plus the twins Harry and Guy manage to find until right at the end, which also happens in the book. Usually we found out early whats been stolen but this is a nice twist. Maybe Blyton was trying something new?
Richard Sparks, the writer of this episode, has stuck pretty close to the book, just the few odd lines where you can definitely tell that Blyton hadn’t wrote that, but otherwise a successful adaptation.
Really there is very little wrong with this episode, it doesn’t differ from the book too badly, but just the odd placement of dialogue and random words. For example right at the beginning where George and Anne meet up, and George is telling Anne about Timmy’s cone of shame, she almost immediately takes it off. I mean obviously for Toddy, the dog who played Timmy, it must have been uncomfortable or he was unable to understand why he was wearing it; so realistically it would have to be removed as soon as possible.
Basically we come down to my own pedantic opinions and feelings on certain things for this episode, it really is hard for me to fault. However, we are again stuck with a comic villain, dark beard, hair, and a foreign accent provided by an actor called Gertan Klauber (who I have now found out played Mr Slither in the 90s Famous Five; Five have a Wonderful Time).
One last peeve, and this time it comes down to the filming and the use of the dark filters instead of letting the children film at nighttime. Even with the digitally remastered DVDs this episode’s nighttime scenes with the children are extremely hard to view and almost come close to making a great episode unwatchable.
Five on a Secret Trail has to be one of the best adaptations of a Famous Five novel. All the key components of the novel are there and with the shorter time frame we actually seem to get a slow novel moving fairly quickly, efficiently, and effectively. Richard Sparks did us proud on this episode so if you haven’t watched it, I suggest you do!
As always don’t forget to let me know what you think of the episode!
And from me that’s all until over Christmas, so let me wish you a happy one and I’ll see you on the other side! Merry Christmas!

Well well well, Fiona turned 30 and now we’re on to a run up to Christmas! I hope you’re all organised! I know I’m trying to be! Hope you’ll enjoy the reviews this week and we’ll see you after Christmas!
The first review of the new satirical Famous Five novels. These novels have been out for a while now but Fiona and I have asked for them for Christmas – luckily for me I got given a copy of Brexit as a early Christmas present from a family friend. How could I not take the chance to review it before the festive period just for you?
To start off the book starts in a very un-Blytonish way – with an excerpt of a speech that will happen later on in the book. We see Julian, giving a speech or rather, practicing his speech to an audience, which turns out to be Timmy. We then have a little flashback to the reason why Julian is giving this speech and we find out that in a fit of post Brexit blues George declares Kirrin Island independent from Britain and part of the European Union. George and Julian take opposite sides on the argument with Dick and Anne playing the swing voters. We follow the rigmarole of the ‘campaign’ which only takes place over four or so days having been announced on Twitter after the Brexit vote had come in. Krexit becomes a media storm and the worst thing for George is the island becomes besieged with reporters who want to get the news of the story and its progress straight from the horses mouth – so to speak.
The first impressions left me a little surprised I guess; it made me rather hopeful for a decent comical parody. The writing was in the style of Blyton, even if the speech between the characters is a little tongue in cheek, and some of the description is a little exaggerated. Then the changes start creeping in, the new technology and the new social media usage. These things aren’t traditionally Blyton – as I’m sure you can tell – but they are necessary in these books I think because otherwise you wouldn’t have them!
So to begin with the book appears to be a kindly poke at the original five but as I found out, it doesn’t really last that long!
For this lover of the original Famous Five the hilarity of the book soon begins to wear thin. There hardly seems to be a plot for a start; there is just a sudden declaration of independance and then it all sort of goes away when we get to the end.
Julian, my beloved Julian, is turned from a svelte, suave young man into a BORIS JOHNSON lookalike, along with the disastrous media stunts that Johnson gets himself into. There is a parody of the zip wire moment, Julian gets stuck on the line in front of reporters. He tries to play them like an experienced politician but more often than not ends up coming off with a rum lot. It turns out that Julian is a Euro-skeptic and voted to leave the EU during Brexit. Later on the book we’re given a glance into him doubting his decision a little. My soft spot for Julian does not really extend to him becoming a bumbling buffoon like the ex mayor of London, Johnson. This does mean that I do find it hard to believe in the tongue in cheek manner in which this is taken. It became very personal.
As with the Brexit campaigns, there was no real flow to the story, no clear cut arguments to make your mind up on, but as a Stay voter I came down heavily on George’s side of the Krexit (gosh who thinks up these words?!) debate.
George’s character was perhaps the most well written of the seven main characters (six if you exclude Timmy, but we don’t). Possibly because she was Blyton’s best loved and well written character it is easier to write her and her feelings toward things than it is to write for the others. Poor old Dick barely gets a look in, while Anne skulks around the sidelines. Aunt Fanny and Uncle Quentin make an appearance but again they are nothing like the book, and Aunt Fanny even takes to showing Julian the cricket bat she hid on the island to stop Uncle Quentin when he got too amorous.
The last thing to really look at is the language. Now in the TV spoofs with Dawn French and Jennifer Saunders even though they are poking fun at the Five, the language is basically the same, just born of innuendos. This isn’t. As soon as Bruno Vincent starts bringing in the modern language, and having George swear and shout at her parents in a non-respectful manner, this book stops being funny for me. It it was more in the style of Blyton I could laugh, but unfortunately this detracts from the fun for me.
We have a new character to explore in this book, though I suspect he appears in the other parodies as well. I don’t strictly know if these are supposed to be read in any order, and I suppose we will find out.
Anyway, welcome to the fold Rupert Kirrin! He appears about half way through the book, an apparently the cousins aren’t very pleased to see him; they’ve come across him before and he is a dodgy character and they have tried to put him in prison but that has failed. With this said and the promise of adventures needing to be told hanging in the air, you do not trust Rupert at all, especially when he tries to become a PR and Media manager for the five and their Krexit campaign .
In this book we never do work out who he is related to the Five, apart from the link of cousin and lets face it, us in the Blyton community know how to debate the idea of cousin very well (google the Kirrin/Barnard discussion on the Enid Blyton Society forums if you don’t know what is going on). I hope that Mr Bruno Vincent does expand on this in is other spoofs, not that I can say I’m looking forward to reading them much.
Basically, not impressed. I’m sorry but there you are. The book was funny enough I suppose, up until my pet peeve of the band language slips into gear, but I just can’t find this funny. Not when Brexit and the devastation of the result swept over me is still quite a nasty reality for me to wake up to every day. It could have been less political, and a bit more light hearted. Topical, yes very, but it won’t age well. In a few years this will be consigned to the scrap heap just like other topical parodies.
One quote from the telegraph, doesn’t sit right with me:

A “Gentle Parody”?! GENTLE? This is nothing but a cleverly disguised political romp in places. The other spoofs may not be so bad, but Brexit island, for me, goes to the bottom of the pile.
Looking for something else to read? More Famous Five for Grown-Ups reviews can be found here.
This is my second least favourite of the series (River being the least) so you have been warned, this review may be more negative than usual. It’s not that I don’t like the book, it’s just not as good as the others. Saying that, sometimes watching a less than stellar adaptation can leave you with a sudden fondness for the original.
We are outside the Dominion Museum as a black limo draws up. A man in heavy black lace -up boots gets out. He’s very happy to see a ship in a bottle on display. It’s a 12th century replica Roman galley.
In a fit of criminal mastermindry he just smashes the glass and walks out with the ship and bottle. The black-hatted man in the car is equally happy to receive it, but it turns out that the secret compartment inside it is empty. The booted man makes several strange noises, like an evil Mr Bean.
At Craggy Tops Bill and Allie reveal to us that they are going to be married tomorrow. Dinah and Lucy-Ann are trying on some of the worst bridesmaids dresses I have ever seen outside of the 1980s. They make awful noises when the girls move. After the wedding, Bill and Allie are to go on a cruise of the Channel Islands.

To be honest the bride’s dress isn’t much better!
Bill then gets a call on his mobile from his boss. His side of the conversation goes:
YOU MUST BE JOKING. THIS IS ABSOLUTELY RIDICULOUS. I DON’T BELIEVE IT. I MUST STRENUOUSLY OBJECT, THIS IS ABSOLUTELY OUTRAGEOUS.
So it isn’t good news then. The wedding has to be postponed because Bill is needed at work. He and Allie have a bit of a row, but there’s nothing that can be done and Bill leaves.
He is told that a gang is planning to overthrow Zimbabwe. Leon Slade (our chap in the black hat) is the leader of the group and they are looking for funds. Bill is the only one who can stop them (He’s as sceptical about this as we are.)
It seems that his boss is right though, as within a few hours Bill is hot on the trail of ships in bottles.
Leon Slade is ahead of him, though, and has men turning up with ships in bottles so he can smash them and look for secret compartments. He then throws them out the front door to the hounds when there is nothing inside the ships.
Fool! You know what penalty for failure!
Igor (the booted man) is still around, and still grunting more than he speaks.
Allie decides to take the children on the cruise with her – somehow booking three extra last minute tickets. Kiki is simply allowed on without issue – though she is to remain in the cabin at all times. The children run rather wild at first – Jack gets into trouble for swinging on lifeboats which I’m sure the children never would have done in the books.
Something else that would never happen in the books – Lucy-Ann FORGETS to buy Jack, her beloved brother, a birthday present. Their cruise attendant helpfully directs them to a nautical gift shop on one of the islands, despite Jack having no more of a interest in the sea than the rest of them do.
And surprise surprise, there is another galley in a bottle in that shop! Lucy-Ann buys it just before Slade and Igor can.
I just want to know how Slade (and later, Bill) discover that this ship is in that shop. Do they have an online listing of all their gifts? Is the ship so important that there is a paper trail of sales leading to the shop? And if so, how can Lucy-Ann afford it with her pocket-money? The other question is how do Slade and Bill know that there are only four possible galleys out there? Surely anyone could make replicas?
Anyway. Igor collapses outside the shop to distract the children and Allie and Leon steals the bottle. Except he discovers he has stolen Jacks’ large container of cockatoo feed which just happens to be a cylinder of a similar size to the bottle.
Igor then manages to sneak on board and gets around the ship without anyone demanding to know who he is or what he is up to. The stewardess merely tries to direct him to the store cupboard when she sees him.
Jack gets a scanner for his birthday which he can hook up to the little computer he takes everywhere with him, but they all agree that the ship in a bottle is the best gift of all. (It’s at this point I realised that Bill and Allie had booked a honeymoon to coincide with Jack’s birthday. That’s not very nice of them!)
There is runic writing on the ship like they’ve already seen on the stewardess’ necklace. She tells them it is called the Andrea (not the Andra as in the book). The bottle smashes when Igor tries to steal it in the night, but Kiki scares him off before he can take the ship. Allie is momentarily concerned but then leaves the boys to pick up all the broken glass.

Can you spot Igor?
Of course the kids find the hidden piece of paper inside. I would call it a map, but it’s more of a parchment with colourful pictures on it – and more runes. They decide to have a treasure hunt, did you expect any less?


There are two new passengers on board – Slade and a young boy who is coached to say
You are Murray Eppilenska known to your friends as Eppy. You’re a watch manufacturer.” “I’m Lucas Eppilenska, your son, I’m 14. My mother couldn’t make it…
So these are Mr Eppy and Lucian. Eppy/Slade immediately gets close to Allie and the kids and Lucas gives Jack a suspicious watch for his birthday. It has a tracker in it. Igor then bursts into one of the children’s cabins and gets seen by the stewardess – so they then know that someone is really after them.
Igor then runs around roaring at people indiscriminately, then chases Jack when he realises he has the map on him. Jack is actually saved by Eppy, and Igor taken off by police. Eppy has now more become even more trusted while preventing any further scenes on board.
Allie then gets a message to say that Uncle Jocelyn has had an accident and broken his hip. Eppy is quick to offer to keep an eye on the children.
Once she’s out of the way, Jack gets to work scanning the map – which does have the outline of an island on it. His computer whizzes through all sorts of maps of the UK and matches it up with that of Anders Isle. Conveniently they are docked at Andersea at the time, which is very close to Anders Isle.

Andersea is a real place, actually. It’s a tiny village lying between Taunton and Glastonbury in the Bridgewater area of Somerset. Bridgewater had a port many years ago, but it connects to the Bristol Channel and is nowhere near the Channel Islands, so I suspect this is a coincidence and the names were picked to go with the Andrea.
Handily for him, Igor was punted off the ship at Andersea and has been released by the time the children head off and hire bikes (with those strange flag things on the back). He is able to follow them to the stewardess’ friend’s house. Owen (a priest) is knowledgeable on runes and the island, and when shown three out of the four sections of the map furnishes them with some clues:
A monk with a snake – the guardian will show the way
A young woman – beware the smiling princess
The ship – turn the ship north, 7 and 5
A special coin – one has just sold at Sotheby’s for £50,000
Meanwhile Igor has changed the direction of a signpost back to the ship. The kids follow the wrong path on their way back and get chased by Igor who crashes his bike.

He just isn’t a convincing baddie
They make it back to the ship and Philip finds a bug in their cabin. They then pretend to have hidden the map in a stuffed toy in the shop – saying it clearly into the bug so they will be overheard. It sounds an extremely stupid plan – even if no teddies had been sold yet, they couldn’t ensure that none would. But Lucas it sent to buy all the bears, watched by the kids. They then know exactly who is after them, and their map.
Allie has reached Craggy Tops by now to discover nothing is wrong with Uncle Joss. Two men from “the phone company” have disconnected the phone. This is actually a nice little twist on the tried-and-tested Blyton contrivance of getting the adult(s) out of the way. (Though even Blyton did use it herself in Circus of Adventure when Bill and Allie go off to help old Aunt Naomi who is perfectly fine.)
The kids have fled the ship to escape from Eppy and camped out on the island with next to no supplies. They might as well treasure-hunt while they’re there, though.
Bill then arrives on the ship while Eppy, Igor and Lucas are trailing after the children, following the signal from Jack’s watch.
As usual Kiki flies off… as she has done so many times in this series. Jack goes after her while the others wait. That means Eppy etc are only following Jack now. When he sees Eppy et al nearby he intermediately realises his watch is a tracker and sends Kiki flying off with it. This has the men running back and forward and round in circles.
And then there is lots of farcical running around (just like in every episode). Allie returns in time to run into Bill.
Using the map the children are able to find an old cross with a hollow column. They use the ‘7 and 5’ clue and try pacing five and seven steps from the cross, which seems pretty silly when they have to idea of direction or length of step. And yet Lucy-Ann digs up a stone with one of the map symbols on it on her first try. They turn it around and open a door at the bottom of the column.
Igor is now leading along the donkey which the children saw earlier, I do not know why. There was a donkey in the book – bringing food for Mr Eppy’s crew and commandeered by the children.
Underground, the children find a big round pool which seems deep. A monk from the map is on the wall – walking on water. Dinah follows the ‘guardian’ and finds stepping stones just under the surface of the water, following the shape of the snake. (Somewhat like Indiana Jones making the leap from the lion’s head in his quest for the Holy Grail).
Lucy-Ann has left a trail of wine gums leading Eppy right to the open column so he is soon after them (though how he knows how to cross the pool is a mystery).
Three of the children forget to follow the map advice and get shut in a room with the smiling princess statue – only Dinah isn’t in there so she can rescue them. She spots another monk on the wall, holding a ship in a bottle.
Using the 7 and 5 again they find a tile in the roof and press it, revealing a cascade of the coins like the one on the map. Eppy walks in just in time to see this, and ties the kids up. He even ties Lucas up – and reveals that Lucas’ father has been held hostage presumably so that Lucas will do Eppy’s business.
Of course the children escape and do the only sensible thing – make lots of scary noises. to scare Igor and Eppy.
Bill and Allie have visited Owen and managed to make their way to the cross, and find Eppy clutching bags of money, and Allie knocks him into the water by throwing a bag of money at him.
We assume everything then has a happy ending and Lucas is reunited with his father… but nothing is said.
Allie and Bill get married by Owen (the priest who helped them with the map) and thankfully there are no awful bridesmaids dresses.
The episode ends as the kids promise no more adventures with their fingers crossed behind their backs.
This is another slightly strange adaptation.
A lot is lost by taking away the rich Greek history of the story. Much of the excitement is lost by revealing the secret nature of the ship before the children even embark on the cruise, and again a lot of time is given to silly chases and pointless running around. Igor is one of the worst baddies I’ve ever seen – he’s stupid, bumbling, clumsy and I don’t think he utters a fully coherent word the whole way through.
They somewhat redeem themselves with the underground portion of the episode, though – the set is convincing and the clues work. I’m really glad they kept to the underground passages to find the treasure and the column with a tunnel inside it as well.
We are going back to two posts this week as it’s my – ee gawd – 30th birthday this week and I’ll be away over the weekend hiding from the world.
So we will just have:
And then we will be back with more Christmassy things for you!
In other news: Sotheby’s are holding an auction of Children’s artwork on Tuesday 13th December. In it will the the five cover artwork used for the 70th anniversary editions of The Famous Five. If you have 2-3 grand to spare and want to own an original piece of Famous Five artwork (or think it would make a splendid 30th birthday present for yours truly…) you can see them here, lots 294- 298. The auction starts at 2.30pm and you can bid in person, by phone or online. It’s for a good cause, too!
The auction is to raise money for House of Illustration, the UK’s only public gallery devoted to illustration based in King’s Cross in London. We put on exhibitions and events, promote new illustration talent, commission new art work and we have an illustrator-led learning programme for schools, families, students and enthusiasts of all ages. We are a registered charity and receive no public funding, raising all the money ourselves from admissions, retail and fundraising from a variety of sources.
Five Go to Mystery Moor is one of my most watched 90s Famous Five episodes, but I have to admit that I’ve only watched the 70s one a handful of times. So re-watching this episode felt new, and interesting. Read on to find out what I thought!
The Good
We start off nicely with the rivalry between George and Henry, George sorting out one of the stables and Henry is already pointing out to her that she’s not that interested in helping out with the horses. The rivalry between them is pitched just right so that it doesn’t overshadow the whole episode but just balances things out. As we can see in the end, George uses a clever trick to send Timmy to get help by telling him to find Henry instead of Julian and Dick which ultimately saves George and Anne from the travellers.
Lots of nice little touches weave in and out of this episode, such as the story of the Bartle brothers being told by the blacksmith as it is in the book, though there isn’t much mention of the mists and how dangerous they can so there is a little bit of a surprise when the mists come down later on in the episode.

The Five in the quarry with the railway tracks
I enjoyed the use of the quarry in this episode, using it as the Five’s camping place and hiding place and as the place they discover the parcels being dropped from the plane. The quarry in my mind has always been very atmospheric and its nice to have it in this episode in its proper place.
Overall the important bits of a true fan are included in the filming and its very nicely done. Mystery Moor is a very atmospheric book and its nice to see as much of that as possible being brought into the frame.
The Unnecessary
You may be wondering why I have named this section the unnecessary, if it wasn’t clear enough, this part is all about the changes that were made that didn’t really need to happen!
The biggest pet peeve of the episode is the simplest, stupidest and hardest to understand change of the whole episode – possibly the whole series – they changed

Sniffy?
Sniffer’s name to Sniffy. I mean, honestly, Sniffy! You can picture me rolling my eyes right? Good. There is no rhyme or reason (that I can see) for this change. It doesn’t change his role, his personality or his overall impact on the episode, so why change it? Why do it? I just don’t understand. It is the mostly completely pointless thing in the world!
Another character issue we face is the one that Henrietta is too girly! Once again we are faced with a tomboy who has long hair an overly girly attitude. We aren’t subjected to her boasting (which is frankly a relief) and her exploits with her brothers and millions of riding awards. She’s just too wimpy to be any competition for George which makes it hard to work out why George is so horrible to her, apart from the fact that Henry constantly winds her up about how she doesn’t want to be holidaying at the stables.
Sniffy’s father isn’t part of the bad guys either, just a grumpy traveller who happens be to used as a smoke screen for the real forgers who eventually get caught by the police – who like usual magically appear at the end to sort everything out. The fact that Sniffy’s father isn’t part of the bad guys just leaves way for another couple of characters, such as the strangely disconcerting creepy boss man who has dark glasses showing us all that he really is not a nice person!

Do dark glasses always equal a baddy?
Changes like this are seriously not needed, not when Blyton’s original work plays out like a TV program anyway on the page . It flows so well on the page that the adaptation loses some of that which is a shame.
Blooper
The one thing I did notice that struck me as quite funny was that during the scene with

Whoops!
Sniffy and his horse Clopper in the Moorland Riding School stable, there is a man behind the horse, clearly a trainer or something to stop the horse from getting nervous with all the strange children around. Obviously it is a health and safety issue but its quite funny to randomly see a man’s head popping out of the back of the horse. Its just an odd thing to happen!
Conclusion
Overall this episode is very well done, lots of nice touches and things added to make it a bit more like the book. The little touches are what makes it so good. Its not adapted by with of the two writers I have come to associate with the series, but rather a new name to me, Gloria Tors. I think if you have a look at the episode and consider it against the book you’ll see what a good job she has done!
What do you think?
This is the latest of many Noddy adaptations for the small screen. A joint venture between the American, British and French it has been made by DreamWorks (the people behind Shrek and Kung Fu Panda). It has been showing in the UK on Channel 5’s Milkshake slot for younger children.
Created by Enid Blyton in 1949, Noddy is one of the most beloved UK children’s characters, having entertained families for generations with stories set in the colourful world of Toyland. DreamWorks’ Noddy, Toyland Detective reimagines Noddy in the new role of investigator; exploring mysteries and searching for clues in Toyland while encouraging viewers to explore and make discoveries in their own world. Using his trusty tablet, Noddy sets out to answer the big questions of who, what, when, where, why and how every time he opens a new case. Enthusiastic and inquisitive, Noddy is joined by friends new and familiar including his iconic car as well as Big Ears and Bumpy. The voice of Noddy is provided by Louis Ashbourne Serkis in his first leading voice role.
Louis Ashbourne Serkis, as I have just discovered, is the son of Andy Serkis (Gollum from Lord of The Rings/The Hobbit).
Wikipedia has a character list which gives us a bit of an indication of what the show will be like.
Noddy – Noddy is an investigator, rather than a taxi-driver.
Big Ears – Big Ears is now Noddy’s neighbour but still his mentor. He is also a squeaky toy brownie. In the American dub, he is called Mr. Squeaks.
Bumpy Dog – Noddy’s pet dog.
Revs – Noddy’s red and yellow car. Much like in the books the car is alive and communicates by beeping his horn.
Pat-Pat – Pat-Pat is one of Noddy’s closest friends, a replacement for Tessie-Bear it seems. She’s Panda plush toy and has three smaller panda friends called the Pockets.
Deltoid – Deltoid is a futuristic superhero toy. He aspires to be brave and noble, but is sometimes afraid and naive.
Smartysaurus – A dinosaur toy. She’s a super-smart scientist.
Fuse – An emotional, but gleeful modern robot toy.
Farmer Tom – A friendly farmer and near neighbour to Pat-Pat.
Tractor – Farmer Tom’s tractor. Like Revs, he communicates by honking his horn.
Well, it doesn’t sound too much like the original, then. Each episode is only ten minutes long, though, so I hope it can’t be too bad!
Most of the episodes are available to watch on Channel 5’s catch up page, so I may end up watching more than one if they are not too terrible. I had actually recorded a random episode onto my Virgin box when I spotted it, but being me, I’m going to start with episode one online.

Despite being the first episode it doesn’t attempt to introduce us to the characters or explain that Noddy is a detective. We start with Noddy about to race with Deltoid, Pat-Pat and Smartysaurus. Big-Ears is officiating and a crowd of other toys are watching.
Noddy steps up to investigate (with no explanation) when Fuse reveals that the Crystal Memory Game is broken. In a rather expositionary fashion Noddy explains that the game is an important part of the race, and he must investigate to discover who broke the game and why. Otherwise, it may happen again and that would ruin the race. A brief song indicates that Noddy will investigate the who, what, why, where, when and hows.
Being only ten minutes long, the episode doesn’t contain any serious detecting (or half of the promised questions above). He and Bumpy-Dog find a notebook belonging to Pat-Pat, who admits practising the game earlier but reminds him she’s not tall enough to have jammed a star crystal in the top square.
Noddy’s tablet seems to be programmed to instantly bring up relevant information as soon as he touches it, as it then shows him the Crystal Memory Game and then all of the race entrants beside it so he can see who is tallest.
He goes to speak to Smartysaurus who denies breaking it (because it’s too easy a game) and Deltoid who makes an excuse and drives away. Being an entirely unsuspicious character, Noddy returns to the game and finds tri-bike tracks and a broken crystal square. Hang on… doesn’t Deltoid have a tri-bike? Bumpy-Dog has to remind Noddy that he didn’t directly ask Deltoid about breaking the game, and they go to see him. He admits it right away – he was practising the game as he can never remember the order.
The game is repaired, the race is held and Deltoid wins.
For an adult it is not a particularly satisfying story. It’s a shame because even shows aimed at very young children can be clever and funny enough to appeal to adults – or at least make watching them on repeat bearable (I actually enjoyed Ben and Holly’s Little Kingdom much of the time because it had a really good sense of humour).
My main gripe, however, is the Crystal Memory Game. Crystal Maze it ain’t. Every time it is played you put three shapes into the holes in order. The same order. Star, triangle, square. Even for a three-year-old that’s hardly a challenge. I expected it to at least change the order!
I did like some of the details of the show, though. Noddy’s jumper and hat have a knitted texture to them which is so often missing in computer animated TV shows now. So often everything is just flat and brightly coloured. Deltoid’s house also amused me as he has stairs that move like something from a 90s plastic marble game.

Check out Noddy’s knitted hat, Deltoid’s awkward plastic joints and those stairs in the background.
Over-all, it was OK. It didn’t make me cringe too much (but them I am quite used to really awful kids’ TV) and I didn’t hate it.
Here we are properly into the Christmas season now. I spent the weekend helping my other half Christmas shop for his family. Anyway, here’s what we have going on this week:

Welcome to our November round up. Hope you had a busy month like we did. As you can see we have complied our exploits for the month. Fiona has been reading like a madwoman and I have been wandering around being busy and making seasonal visits to London’s Hyde Park and Winter Wonderland. Why don’t you tell us in the comments what you got up to?
And I’m still reading:

This month has been very busy, I’ve done a lot of my Christmas shopping and sorting out what to make people for the festive period.
At work I’ve worked with my library assistants to get all our Christmas displays up, and start the Winter Reading challenge, to encourage children to read over the Christmas holidays. Basically they have to read three books before the 8th January. During the summer, they do another reading challenge where they read six books through the summer holidays.
I also had a nice day out with my boyfriend to London Hyde Park’s Winter Wonderland. We had a fun, if wet day out taking in the ice kingdom and the ice bar, where we were served our drinks in proper thick ice glasses! We also visited M&M world and nipped across the street in Leicester square to Lego World. We had a lovely, but cold day.
Bring on December!
And I’m still working on:

I thought this would be a fine way to break up the Christmas posts a bit (but don’t worry there will be more of those!)
Previous parts can be seen here, here, here, here, here and here.
As always my own copy is a Methuen from 1957 – a 12th reprint/impression of the original. The new version is the most modern of any paperbacks I have looked at so far, which is an Egmont copy from 2014.
Fatty’s bruises are again the cause of massive editing. I’ve decided to show the whole original passage and then the new passage as I think that’s the easiest way to show the difference.
Pip’s mother asked how Fatty was after his fall. Fatty was delighted, because the others had quite forgotten to ask about his bruises again.
“Thank you, I’m all right,” he said, “but my bruises are rather extraordinary. I’ve got one the shape of a dog’s head – rather like Buster’s head, really.”
“Really?” said Pip’s mother, astonished. “Do let me see it!”
Fatty spent a wonderful five minutes showing all his bruises, one after another, especially the one shaped like a dog’s head. It was difficult to see how he made out that it was shaped like one, but Pip’s mother seemed most interested. The children scowled. How annoying grown-ups were! Here they has been trying to stop Fatty from continually showing off and boasting, and now Pip’s mother was making him ten times worse.
In a few minutes Fatty was telling her all about the bruise he had had once that was shaped like a church-bell, and the other that looked like a snake.
“I’m a really marvellous bruiser,” he said. “I shall be a wonderful sight tomorrow when I’m in the yellow stage.”
“Come on,” whispered Larry to Pip. “I can’t stick this. This is Fatty at his worst.”
Leaving Fatty talking eagerly to Pip’s mother, the four children crept off. Buster stayed with Fatty, wagging his tail. He really seemed as much interested in his young master’s bruises as the grown-up!
“Let’s go for a bike-ride and leave old Fatty to himself,” said Pip, in disgust. “I can’t bear him when he gets like this.”
And then:
Pip’s mother asked how Fatty was after his fall. Fatty was delighted, because the others had quite forgotten to ask about his bruises again.
“Thank you, I’m all right,” he said, “but I’ve still got some rather nasty bruises.”
Leaving Fatty talking eagerly to Pip’s mother, the four children crept off. Buster stayed with Fatty, wagging his tail.
“Let’s go for a bike-ride and leave old Fatty to himself,” said Pip, in disgust. “I don’t want to hear about his fall all over again.”
As you can see the new passage is far shorter than the original. It also causes a couple of problems. Firstly, the children deciding to get up and leave comes rather out of nowhere, and secondly it makes them sound very petty. In the original you can understand why they would want to go off and make a point of not listening to his boasting. Pip saying he doesn’t want to hear about Fatty’s fall again doesn’t make a whole lot of sense as Fatty has barely said anything about the fall itself, and even less in the edited paperback.
The four instances of italics are removed:
Fatty is made to sound even more of an ass than he already does. Half a page after nearly storming off when the others return from their bike ride he says I think I ought to go with Larry [to Mr Smellie’s in the night], instead of Daisy who is desperate to go. Originally he had said I think a boy ought to go with Larry. I’ll go, Larry. Now to modern ears that’s potentially just as offensive – but it’s a common attitude amongst Blyton’s male characters and doesn’t set Fatty as any more arrogant than they are in their assumption that girls ought to be left safely at home. When he shuts down Daisy’s suggestion that she goes by just saying that he ought to go, he just comes across as superior and awful.
A line from Fatty’s interaction is then cut – The policeman shook him angrily, and for some unknown reason Goon’s odd manner of speech is punctuated differently now. Come-alonga-me has become Come-alonga me.
And another chapter is butchered to remove some – but by no means all – references to Fatty’s bruises. It fails to make any sense any more (if indeed it made any to begin with) considering his bruises have an integral part in the story now.
Anyway, the changes in this chapter start with telephone to the police becoming call the police.
Then Mr Smellie pounced on Larry and took hold of him with a surprisingly strong hand. He shook the boy hard, and Larry gasped. The first sentence remains in the paperback but the second is cut to Larry gasped.
Shaking Larry hard, and muttering all sorts of terrible threats, he pushed the boy before him into the hall also becomes Muttering all sorts of terrible threats, he pushed the boy before him into the hall.
So grabbing and pushing is perfectly fine – but shaking is a no-no. Just so we’re clear.
Later, (after a fight which is unedited) Fatty says that Mr Smellie caught me and pummelled me and threw me down the stairs. Now, only the ‘caught’ part is true but it still gets cut to caught me and threw me down the stairs.
I’m covered with bruises then appears in both texts but Look – here – and here – and there – and there! Oh, fetch a doctor, fetch a doctor is cut from the paperback.
The description of Fatty from Miss Miggle and Mr Smellie’s viewpoint is also cut. From The boy in the hall was really and truly covered with the most terrifying purple, green and yellow bruises. They stared at Fatty as he showed them his curious markings right down to the boy in the hall had several bruises
It just makes no sense! How can they see he has bruises unless he has pulled his clothes around to point them out?
Miss Miggle then says Just look at the poor child! How could you knock a little boy about like that? which has become Just look at this boy’s bruises. How could you do that to a little boy? So they’ve added a reference to the bruises they’ve tried so hard to omit everywhere else.
Like here, where Fatty’s line – “I’m a wonderful bruiser,” began Fatty. “I once had a bruise shaped like a church-bell.” – is cut.
Miss Miggle also no longer speaks in a most reproachful tone for absolutely no reason I can see.
What makes this all stranger is the below quotes which have been left in the paperback.
The first one makes no sense as Fatty no longer claims to have been hit (or pummelled) and the others are just odd considering how much the bruises have been cut from the story already.
Thirty-two changes in all – so that brings us to 173 in total.
We are near the end of another month now, and creeping even closer to the end of the year. There is another Christmassy post this week along with our usual fare, a trend which should continue (hopefully) for the next few weeks.

Overall, I don’t think we consciously give much thought to our least favourite characters, instead we focus on the ones we do love and enjoy, which is fair enough. However the other week, when I was telling you about the Five Go Down to the Sea 70s adaptation and I mentioned that I didn’t very much rate Yan as a character in the book, I thought it might be a good idea to look at the characters and pick out the ones I don’t like the most and why. So I’m only doing three because I thought that would be enough – especially as I’m talking about dislikes – sometimes it can be too much otherwise. Anyway, let’s get started.
As I said the other week, Yan in my humble opinion is a very two dimensional character and only really brought alive by Rupert Graves in the 1970s. Yan is a very much a background character, only really there as a plot device. He doesn’t say much and just monopolizes Timmy, annoying George. He does save them from the cave of doom, well the cave Timmy gets them trapped in.
He’s a timid mouse of a boy who doesn’t really speak, thus causing problems when the Five are trying to find out about the wreckers and the wreckers way. His very quiet nature doesn’t lend itself to the situation at all, where the Five need a companion who knows the area to solve the mystery. Yan however just follows them around making a nuisance of himself, which is why I join in with the Five in finding him irritating. He is a hard character to warm to, even with his sad story about not having any parents and only his great granddad to look after him. You can’t warm to him like you can to Sniffer, Jo and some of the others. There is no spark to him.
Yan just doesn’t have a personality that I can distinguish and he doesn’t add much to the story, he doesn’t even really help with the adventure and just gets in the way. This is unfortunately why I don’t like him very much.

Frederick Algernon Trotterville. The hero to some, but just a simple pompous bully to me. I have yet to see his good side and I don’t like the entitlement he believes he had over the Five Find-Outers. He is annoying with his money and his selfish ways. He boasts every time he can about something he has done at school or how much money he got for his birthday and Christmas, and I just don’t see how people like him! Is it because he is some sort of anti-hero? I.E. he doesn’t fit the traditional Blyton mould of the leader and hero which might be why people see him as the better character against ones like Julian for example (don’t get me started – see here for that argument!)
Fatty has the best of everything and anything, having money to spend and throw around sometimes even putting the other Five Find-Outers to shame with the amount of money he has. He can be incredibly self important as well, making himself seem big and grown up, like in The Mystery of the Secret Room where he told the others that he would spend some time during the night outside Milton Lodge because his parents are away and then he stupidly falls asleep in the house and gets captured. I mean come on, that is a special kind of silly.
I’m afraid to all the Fatty fans out there, he just doesn’t do anything for me in regards to being likeable. I am, as you know, ultimately a Julian girl at heart and however much you beg me to turn my liking to Fatty, I am afraid he will never be as likeable as Julian.

I bet that shocked you! The prankster from Malory Towers not being likeable, well let me tell you just because you’re a joker does not mean that you are necessarily a nice character. I find Alicia to be harsh and uncaring for the first four books, and even when she mellows out after her measles, she can still have an edge to her. There is something about her character that for me, makes her unlikeable.
Her cold shouldering of Darrell in the first book and then Sally in the second is just a show of how badly Alicia reacts to people who don’t work within her lines. Sally was given the head girl position and Alicia thought she deserved it, she went against Sally, over turning her decisions not to confront Ellen about the stolen property. She didn’t stand by Darrell when Mary-Lou’s fountain pen was found smashed in the common room, and blamed Darrell’s temper at Mary-Lou being the centre of attention.
Although ultimately she’s not a bad person, Alicia is just too close to those people in school for me, who thought that it was all right to act like this. She’s a strong personality and takes over, which is something that never really gets sorted, even when they’re in the fifth form and she clashes with Moira. Everything has to be her own way, and nothing she does can be the wrong thing. In terms of her character – I just don’t think we would have gotten on, but everyone else at Malory Towers I would have really enjoyed meeting (perhaps with the other exception of Gwen and Maureen) but I just can’t bring myself to like Alicia. Sorry!

So there we are, you have my three least favourite characters. Why don’t you let me know what yours are in the comments? All I ask is that you don’t bash me for saying I am not a fan of Fatty – we all need to be different! Anyway I would love to know your thoughts on the least favourite characters you have come across in your Blyton travels. You never know, you may give me more ideas for a second post!
This series has certainly had ups and downs in its run so far. For me, Island was an acceptable adaptation, Woods was absolutely awful in every way, Valley was an unexpected success and then Sea was another reasonable episode. Shall we see how Mountain does then?
Another dramatic opening with a man plunging to his death from a helicopter. Two men, watching, are amused by this. Then we see a young boy in a ragged jumper running away from an unknown threat. The red helicopter then lands and one man says to the other, “We need more test pilots, Erlick.”

Erlick (left) and a man not given the name of Mier
Over in England Bill is arguing with his boss, Sir George, as he wants to take a holiday. Sir George isn’t very happy – “You are just back from New Zealand,” he says. Bill makes the point that his holiday there was cut short by being kidnapped. Sir George wants to know if his holiday will be with “that woman and her kids.” He sound a little disapproving of Allie one moment and the next he is meaningfully pointing out that it’s hard to adopt children without a father. At last he agrees that Bill can have one week.
Back in New Zealand Bill wants the children to guess where they are going. They work out there are mountains, but it’s not Scotland. There are lakes, but it’s not Wales. They can get there by car without crossing water. They speak a foreign language there, and the children have never been. Bill’s final clue is humming/singing a bit of a song the children know from school.
They’re off to Germany, pony trekking in the Bavarian mountains to be precise.
After the children run off to do whatever it is they do when they’re not getting into adventures, Jack wanders back looking puzzled. He queries the ‘not crossing water’ clue. “The channel tunnel,” Bill says with a grin, admitting he is right by a technicality.
We have had several bad science entries between this series and the Secret Series, now it’s time for the geographical version.
They seem to think that New Zealand and the UK are interchangeable, or indeed pretend they have been in the UK all along. Sea of Adventure was set in New Zealand – we knew this before Sir George mentioned it. Are we to believe that everything else, however, was set in the UK? That’s the only way it would be possible to drive through the channel tunnel and get to Germany. It would also explain how the white jeep is driven around Craggy Tops and also Germany. It does not explain all of the New Zealand accents and locations through the other episodes, however.
They arrive in the Valley of Eagles (a name which proves to be entirely pointless as there is not a single eagle to be seen) and immediately we get a series of ‘necessary’ but contrived reasons as to why the kids are going to go trekking with just a guide. In the book Aunt Allie injures her hand and Bill, who is clearly sweet on her by then, stays to take her to the hospital.
On TV the adults have decided they’re not trekking before they even arrive in Germany. Bill only has one week and presumably has wasted rather a lot of that driving from England to Germany. Allie intends to paint anyway, and the children note that Bill is keen to stay with Allie.
Meanwhile the ragged boy is still running around, now having flashbacks to dark tunnels and strange men. It is the helicopter that is looking for him, and Bill finds it highly suspicious to see a helicopter. A tiny nod is made to Philip’s skills with animals as he picks up a good-sized goat. Bill calls him Dr Dolittle, which would be inaccurate based on on what we see in the series.
The children go off with Hans, their guide, through areas with no roads and no houses. (The kids wear helmets thanks to modern safety rules.) Hans tells them a story about the Mountain of Kings, which is said to have an ancient, wicked king buried inside it. Legend says that one day the earth will shake and that king will rise again to rule the world.
Meanwhile Bill and Allie’s romantic picnic is interrupted by Sir George. Bill is needed to cover for someone with the flu, and will have to leave first thing in the morning. Again I get the impression Sir George is trying to throw a spanner in the works – especially after impressing the importance of Bill coming back moments before picking up his clubs to go golfing.
A fog rolls over the children’s camp that night, and they trek through it in the morning until Hans’ compass stops working and he admits that they are lost.
The children go for some water, as they all decide to stay where they are for a while. Something then spooks the horses and Hans sees wolves drawing closer. It seems for a moment that he has been spooked (like David in the book) and rides off on his horse, but then it seems likely that he is chasing the ponies to retrieve them. Unfortunately he cracks his head on a branch and knocks himself unconscious.
Meanwhile Bill has proposed to Allie while she paints (though disappointingly he doesn’t go down on one knee). “It’s beautiful. But it’s an engagement ring,” she said stupidly before he asks the question.
The children do their best to cope alone with wild (but hopefully not poisonous mushrooms for dinner. They hear what they think is thunder, then realise it’s an earthquake. (Well, they are in New Zealand!) Is the wicked king returning? I don’t know about that but they do recover one pony, which was carrying food matches and ropes.
This is just as well as the German mountain rescue team can’t go out in the fog to look for them. The wolves turn up again but Philip charms them and reveals they are actually Alsatians. This was more believable in the books where we saw him keep lizards, hedgehogs and other creatures in his pockets and tamed wild animals.
Lucy-Ann is the one to spot the runaway – by a river not up a tree this time. So the kid is our Sam the pilot. He’s gone by the time the others get there and they don’t believe her at first.
Another earthquake strikes, but by now Bill is out with the mountain rescuers who find Hans alive.
According to an article in the most recent Enid Blyton Society Journal the series had a $10 million budget, but unfortunately the ‘lightening’ coming out of the mountain looks pretty silly.

Low budget mountain effect
The runaway boy is now being chased by the dogs, and by men with guns. Philip manages to get himself caught also (I managed to miss exactly how). The other kids follow, naturally, and manage to fall down a mine shaft. This bit seems to be there just to pad out the story for the running time. Interestingly the journal article also revealed that the series ran for 28 episodes, which sort of justifies the long running time for each book.

Captured by a bad music-video extra
It does not justify the fact that the children needed to sing get again – this time to get Kiki to fly down into the mine shaft with a rope.

Lucy-Ann knows that things are not going well
Yet again the girls try to flag down the enemies for help, while Allie gives Sir George a real ear-bashing for daring to ask Bill when he’s coming back. This seems to improve his opinion of her and he contact the German embassy to procure them some more help.
The children can’t work out how to get through the ‘solid rock wall’ at the base of the mountain. Kiki gets in though – and considering there could be any number of entrances behind the enormous bushes there, it’s not an impressive feat.
They find their way to the room where Philip and the other boy are. The German boy is revealed as Alexai who explains things. “You. Fly. Down. Dead.” This takes so long they are very nearly caught again. Alexai won’t leave the room to escape with the others.
There’s a weird heavy breathing sound in the tunnels now, and Jack is using his palm-pilot-type-device to find their way out. He navigates them straight into what seems to be a heavy breathing vampire in a cape.

Heavy breathing caped vampire
As in the book they then get themselves quite lost and end up on a gallery looking down on what I can only describe as ‘crazy futuristic stuff’.

The future of science looks like a children’s game show
Lucy-Ann actually floats away when the machines are turned on, as does Dinah, and then the others too. Kiki flies off.Meanwhile it is discovered that the children have escaped.
The kids get out of mountain but run straight into men with guns.
They are returned inside to meet ‘the King’, a scientist who has created anti-gravity to reduce the air pollution produced by cars and aeroplanes. Unfortunately Erlick plans to blackmail the aeroplane makers etc with the promise of keeping this discovery a secret.

The King of the mountain
The children end up back in the cell again, but Alexai guides Philip to climb from their window down to another room where he meets the king. He is able to persuade him of Erlic’s treachery but he and the others overpower the king and make him continue the experiments. (Why isn’t clear. If you’re evil enough to blackmail the world’s transport companies surely you’d be evil enough to do it with a flawed technology?)
Anyway, Jack is forced to wear the antigravity chest panel – no beautifully crafted wings here. The helicopter arrives to take him for his final flight but the surprise here is ruined by the fact that Bill has already revealed to us that he has captured the helicopter and the pilot. He doesn’t shout ‘don’t forget Bill Smugs’ either.

Remind me where the budget went?
The mountain-top is rather lacking in drama too. It’s more of a hummock at one side of the mountain, from which they shoot the helicopter as it tries to land without throwing Philip out.
Bill still takes helicopter back up with fuel pouring from it to rescue the rest of the children.
Inside the mountain the king has had a breakthrough and makes himself fly – and also causes an explosion. The budget clearly didn’t allow for a big explosion so Bill remarks “oh course, anti-gravity. It imploded not exploded!” as the lightening is drawn back into the mountain.
They go back inside themselves to find Kiki (and we get another tearful scene where she is presumed dead) and find out the king is alive. So is Erlick who catches them, but Philip is quick to set his own dogs on him. To escape Erlick throws himself off the mountain with the anti-gravity thing on… and screams as he plummets to his death (from an impossible height from what we’ve seen of the mountain so far).
Well. This is probably a middling episode. It stuck fairly close to the story with understandable omissions regarding black paratroopers and stereotypical Welsh folk.
Unfortunately, even given the added legend, the sci-fi element seems a bit silly. It’s somehow more believable in the book (for me anyway). It is also unfortunate that the important point of Philip taming the dogs is not very believable as his skills have been barely shown in the previous episodes. It would have been nice for that part to be played on more – if they had escaped the mountain and then hidden in the tunnel with the dogs etc, that would have added to the running time instead of the silly ‘fallen down a mine’ scene.
On a side note, I just wanted to add that I do like Malcolm Jamieson as Bill. And actually, all the cast – main and supporting – are good.
Apologies for using the C word in November, but I couldn’t resist starting the Christmas posts this week. (I mean, there are only five weeks to go!) Hope you enjoy!
